Another Op'nin', Another Show: SATB Choral Octavo

Philip Kern's arrangement captures all the theatrical energy and charm of Porter's original while serving the needs of a modern choir. The piece radiates infectious optimism about live performance itself, making it an ideal emotional opener for any concert that celebrates music and theater. Your singers will feel the genuine joy of "show-biz" life in every phrase.

Infectious Broadway energy wrapped in Cole Porter's elegant melodic gift. The piece sparkles with confidence and warmth, capturing that electric moment just before the curtain rises and the magic begins. Singers will feel the rush of anticipation and pure theatrical joy that only live performance can deliver.

Choirs looking for an uplifting opener that guarantees audience engagement and immediately sets a theatrical tone. This works equally well for concert choirs, show choir, community groups, or high school ensembles seeking accessible Broadway material with real sophistication underneath.

• Lean into the 2-beat style with crisp articulation; think jazz swing feel rather than classical legit singing.
• Balance the ensemble sound so no single voice part overshadows the lyrical content. The humor lands when the text comes through clearly.
• Work the recorded accompaniment to nail the rhythmic drive and energy level. Let it set the tempo and groove.
• Stage some simple movement or blocking if possible. This song practically demands visual engagement; consult the movement staging guidance included with the octavo.

Open a Broadway or pop concert with this piece to immediately establish the celebratory mood and draw your audience into the evening. It pairs beautifully with other Porter standards or as the centerpiece of a "theater and performance" thematic program. The SATB voicing and moderate length make it flexible for concert placement or as a feature in a larger Broadway medley.

• Singing in 2-beat swing style with proper rhythmic placement and articulation
• Balancing ensemble blend while maintaining clarity of lyrical delivery
• Interpreting theatrical text with personality and comic timing
• Coordinating singing with choreography or movement