Angels We Have Heard on High Cover Image

Angels We Have Heard on High: SSAB Choral Octavo

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Angels We Have Heard on High Cover Image

Angels We Have Heard on High: SSAB Choral Octavo

Arr. Philip Kern

Item: 00-23093

$2.75
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Description
Feature two outstanding accompanists at the piano with this exceptional arrangement of the favorite Christmas carol, "Angels We Have Heard on High." From its rhythmic opening, through the fresh a cappella section, to its spectacular finish, you'll marvel at Philip Kern's energized arrangement. Full, contemporary choral singing in every voicing. A full-sounding SoundTrax CD featuring the 4-hand piano part is also available.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 20
UPC: 038081222752
SKU: 00-23093

More about this title

About the Arranger: Philip Kern

Philip Kern has established himself as a versatile arranger and composer with a gift for reimagining familiar material through a contemporary choral lens. His work spans sacred and secular repertoire, consistently prioritizing singability and musical substance across a range of voicings and ensemble sizes.

Why we love this

Kern's arrangement transforms a beloved carol into something genuinely fresh without abandoning what makes the tune work. The interplay between the driving piano introduction, the strategic a cappella moment, and the full ensemble finale creates dramatic shape that keeps singers engaged and audiences invested throughout.

What to expect

The arrangement captures the joy and triumph of the carol while bringing it into a more contemporary harmonic and rhythmic world. You'll move from energized and rhythmically driven to intimate and ethereal in the a cappella passage, then build to a spectacular, full-voiced conclusion that feels earned.

Who it's for

This arrangement works equally well for intermediate and advanced community choirs, church choirs seeking holiday repertoire with substance, and high school ensembles wanting a carol that feels current without losing its character. SSAB voicing makes it accessible to groups with mixed ability across upper and lower voices.

How to get the most out of it

  • Lock the rhythmic energy of the opening piano part with your choir; the arrangement's forward momentum depends on clarity and precision in those first measures.
  • Shape the a cappella section with particular attention to blend and intonation, letting it breathe as a moment of contrast before the final push.
  • Balance the four-hand piano accompaniment so both pianists maintain equal presence; neither should dominate the texture.

How to use it

Position this as an anchor piece in your December concert, giving it enough rehearsal time to execute both the piano work and the unaccompanied section with confidence. Pair it with gentler carols earlier in the program to showcase the arc of your concert and the specific strengths of this arrangement.

Skills your students will build

  • Singing securely in SSAB voicing with full, contemporary harmonic language
  • Maintaining rhythmic independence and precision alongside complex piano accompaniment
  • Creating blend and intonation in unaccompanied passages
  • Building dynamic contrast and dramatic shape across a multi-section arrangement

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