Angels We Have Heard on High Cover Image

Angels We Have Heard on High: SSA Choral Octavo

$2.75 USD
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Angels We Have Heard on High Cover Image

Angels We Have Heard on High: SSA Choral Octavo

Arr. Philip Kern

Item: 00-23094

$2.75
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Description
Feature two outstanding accompanists at the piano with this exceptional arrangement of the favorite Christmas carol, "Angels We Have Heard on High." From its rhythmic opening, through the fresh a cappella section, to its spectacular finish, you'll marvel at Philip Kern's energized arrangement. Full, contemporary choral singing in every voicing. A full-sounding SoundTrax CD featuring the 4-hand piano part is also available.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081222769
SKU: 00-23094

More about this title

About the Arranger: Philip Kern

Philip Kern has established himself as a respected arranger and composer for choral ensembles across the K-12 and adult market. His arrangements balance accessibility with musicianship, consistently delivering parts that sit naturally in singers' voices while maintaining sophistication in harmonic and textural writing.

Why we love this

Kern's arrangement captures the carol's stateliness while infusing it with rhythmic vitality that feels fresh rather than precious. The shift into a cappella creates genuine dramatic tension, and the two-piano finish gives your ensemble a moment of real performance spectacle without requiring a full orchestra.

What to expect

Jubilant and assured, moving from processional grandeur into intimate vulnerability and back toward triumphant celebration. The unaccompanied section reveals the purity of the harmonic language, while the piano writing throughout feels modern and compositionally resourceful.

Who it's for

SSA choirs of middle school through adult level who want to showcase a familiar carol with genuine musical substance. This arrangement works equally well for groups seeking a statement piece within a larger holiday concert or for ensembles with strong accompaniment resources.

How to get the most out of it

  • Shape the rhythmic opening with clear articulation; this is not a gentle carol but an energized proclamation.
  • Balance the a cappella section carefully so that inner parts remain audible without oversinging.
  • Prepare the two-piano passage in isolation so singers can maintain steady tempo while accompanists navigate the 4-hand writing.
  • Use the recorded accompaniment to lock the ensemble's feel during early rehearsals, then move toward independence before performance.

How to use it

Consider placing this as a centerpiece within a mixed-genre Christmas program, where its contemporary energy distinguishes it from more traditional carol arrangements. It also serves as an excellent closer for the first half of a concert, as the two-piano finish provides a natural moment for applause and intermission.

Skills your students will build

  • Singing sustained lines with consistent vowel shape and breath control
  • Balancing inner voices in close harmonic writing
  • Responding to dynamic and textural shifts across different accompaniment densities
  • Maintaining ensemble steadiness in a cappella sections
  • Shaping phrase arcs within a rhythmically active harmonic framework

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