Angels in the Snow Cover Image

Angels in the Snow: Choral Octavo SoundTrax CD

$27.99 USD
Sale price  $27.99 USD Regular price 
Skip to product information
Angels in the Snow Cover Image

Angels in the Snow: Choral Octavo SoundTrax CD

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-41663

$27.99
Shipped

One moment…

Description
Here's a warm, wintertime ballad with no mention of the holidays. A dreamy text longs for snow and captures the delight of making snow angels. Delicate and independent voice parts overlap throughout, with just a few sparkling moments of harmony. Enchanting!

Angels in the Snow: Choral Octavo SoundTrax CD isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081467436
SKU: 00-41663

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral education for over thirty years, first as a director of publications at major music publishers and later as a sought-after clinician and conductor. Her catalog of more than 600 choral works and 75 larger musicals reflects her deep understanding of what singers need and what audiences want to hear. Since 1987, she has been a consistent recipient of the ASCAP Special Music Award, and she has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Educated at Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), Albrecht brings both compositional skill and performance experience to her writing. She has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht and Althouse craft a piece that feels genuinely wintertime without leaning on holiday clichés. The overlapping independent voice parts create textural richness and movement that keeps singers engaged, while the occasional harmonic moments land with real impact. Recorded accompaniments remove barriers to performance, making this accessible for programs that might lack accompanist support.

What to expect

Delicate and unrushed, this ballad captures the quiet wonder of snow falling and the simple joy of childhood play. The dreamy quality comes from overlapping lines that weave in and out, creating a landscape of sound rather than a traditional harmonic progression.

Who it's for

Choirs seeking a winter selection that avoids holiday sentimentality will find this piece genuinely refreshing. Intermediate to advanced groups benefit most from the independent voice writing, though the overall accessibility makes it workable for dedicated high school and adult choirs.

How to get the most out of it

  • Balance the delicate independent lines by having singers sit at attention and mark entrances clearly; these overlapping parts need precision to avoid sounding muddy.
  • Let the recorded accompaniment guide tempo and ensemble cohesion, but rehearse extensively without it so singers own their entrances and rhythmic independence.
  • The sparkling harmonic moments deserve extra rehearsal time; mark them visually in scores so singers recognize and shape them as textural goals rather than accidents.
  • Consider staging or subtle movement during performance to reinforce the dreamy quality and the imagery of snow angels; Albrecht's movement expertise comes through in music designed to work with physical interpretation.

How to use it

Program this during winter concerts as a palate cleanser between heavier choral works, or pair it with other seasonal pieces that steer clear of religious themes. It works equally well as a concert opener that sets a contemplative mood or as a closing selection that leaves audiences in a peaceful reverie.

Skills your students will build

  • Independent voice part security and rhythmic precision in overlapping lines
  • Listening to and balancing multiple simultaneous melodic ideas
  • Sustaining tone quality through longer phrases with minimal harmonic anchor
  • Interpreting ensemble dynamics and texture shifts for musical effect

You May Also Like