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An American in Paris: Full Orchestra, Ensemble Works, Conductor Score & Parts

$150.00 USD
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An American in Paris Cover Image

An American in Paris: Full Orchestra, Ensemble Works, Conductor Score & Parts

By George Gershwin / ed. Frank Campbell-Watson

Item: 36-A937590

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Description
George Gershwin (1898–1937) composed An American in Paris in 1928 after a sojourn in the French capital, where he sought to capture the sights, sounds, and energy of the bustling city through a vivid orchestral "rhapsodic ballet." Drawing inspiration from Parisian street scenes, car horns he brought back to New York, and his own impressions as a visitor abroad, the piece blends jazz idioms with symphonic craft in a way that was both innovative and quintessentially American. It was premiered by the New York Philharmonic under Walter Damrosch at Carnegie Hall on December 13, 1928, to great acclaim, quickly becoming one of Gershwin's most beloved concert works. The Campbell-Watson edition, published much later, offers a scholarly restoration of the score, clarifying details of orchestration and performance practice to bring us closer to Gershwin's intentions. Today, An American in Paris is firmly established in the international repertoire as a landmark of 20th-century music, cherished for its color, rhythmic verve, and cosmopolitan spirit that continues to resonate with audiences worldwide. Instrumentation: 3(3rd d. Picc).2+EH.2+BCl.2: 3Sax(ATB): 4.3.3.1: Timp.Perc(4-5): Clst: Str (9.8.7.6.5 in set). Reprint edition. An 11x14 oversized score is also available from the publisher.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 605258719775
SKU: 36-A937590
Instrumentation: 3(3rd d. Picc).2+EH.2+BCl.2: 3Sax(ATB): 4.3.3.1: Timp.Perc(4-5): Clst: Str (9.8.7.6.5 in set)

More about this title

About the Composer: George Gershwin

George Gershwin (1898, 1937) bridged the worlds of concert music and American vernacular like no composer before him. His gift was not just melodic invention but an intuitive understanding of how jazz harmonies and rhythmic vitality could enlarge the expressive range of the symphony orchestra, creating works that felt both intellectually sophisticated and immediately accessible to any listener.

Why we love this

This is the full orchestral score and parts you need to perform one of the most exhilarating concert works of the 20th century. The Campbell-Watson restoration brings scholarly clarity to Gershwin's orchestration without losing a shred of the piece's infectious energy, rhythmic brilliance, and unapologetic joy. Conductors and orchestras return to it again and again because it never stops sounding fresh.

What to expect

An American in Paris crackles with the energy of a visitor experiencing a great city for the first time, full of casual elegance, shifting moods, and moments of pure exuberance. Street scenes dissolve into dreamy passages; lively dance rhythms give way to homesick reflection. The whole piece pulses with color and orchestral innovation that still sounds modern nearly a century later.

Who it's for

Orchestras and concert bands with strong woodwind, brass, and percussion sections who want to perform a canonical 20th-century American masterwork. This score demands technical facility, rhythmic independence across sections, and the ability to balance jazz idioms with symphonic architecture; advanced ensembles will find it rewarding and audience-pleasing.

How to get the most out of it

  • Establish the jazz idioms with clarity from the first entrance; the saxophones and trumpet figures define the piece's character, so balance them carefully against the strings rather than burying them in the orchestral texture.
  • The famous taxi horn effects and rhythmic gestures demand precision from the entire ensemble. Lock in metrically first, then layer in the syncopations and sudden meter shifts that give the piece its Parisian street-scene authenticity.
  • Shape the lyrical middle section with warmth and legit singing tone from the strings; the contrast between the bustling outer sections and this more introspective passage is crucial to the arc.
  • Pay close attention to the percussion setup and timeline so transitions between sections land cleanly. Gershwin's orchestration is detailed, and clarity of execution reveals the craft underneath the exuberance.

How to use it

Open a concert with this piece to set a confident, cosmopolitan tone that immediately engages an audience. It pairs naturally with other Gershwin works, American mid-century concert music, or as a bridge between classical and contemporary repertoire. Audiences know and love it; orchestras find it enduringly satisfying to play.

Skills your students will build

  • Rhythmic precision and independence in syncopated figures against a moving harmonic background
  • Ensemble balance and clarity when jazz idioms (saxophones, trumpets, woodwind figures) blend with symphonic orchestration
  • Stylistic navigation between vernacular and classical languages within a single work
  • Attention to Gershwin's detailed orchestration and performance markings for color and texture
  • Confidence in executing rapid meter changes and sudden harmonic shifts

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