An American in Paris Cover Image

An American in Paris: Full Orchestra

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An American in Paris Cover Image

An American in Paris: Full Orchestra

By George Gershwin

Item: 00-FS0001

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Description
Gershwin Facsimile Editions are reproductions of Gershwin's original orchestral manuscripts which are housed at the Library of Congress in Washington. These volumes are annotated, have historical articles about each work, and contain much information not generally found elsewhere.

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Additional Details
Publisher: Alfred Music
Page Count: 112
UPC: 029156684100
SKU: 00-FS0001

More about this title

About the Composer: George Gershwin

George Gershwin (1898–1937) was an American composer who bridged classical and popular music with unprecedented success. His works for orchestra, written in the 1920s and early 1930s, established a distinctly American voice in concert music by incorporating jazz idioms, blues harmonies, and vernacular rhythms into large-scale forms.

Gershwin studied composition with Rubin Goldmark and Joseph Schillinger while working as a Broadway composer and pianist. His orchestral works, including Rhapsody in Blue, An American in Paris, and the Second Rhapsody, remain central to the American concert repertoire and are essential listening for understanding 20th-century symphonic writing.

Why we love this

Working from Gershwin's original manuscript housed at the Library of Congress gives your orchestra access to the composer's actual notation, articulations, and dynamic intentions in a way no standard printed score can replicate. The annotated edition and historical context transform this from a performance piece into a study of how Gershwin constructed this masterwork, deepening your musicians' understanding of the orchestration and structural choices that made this work iconic.

What to expect

Gershwin captures the energy and cosmopolitan spirit of Paris between the wars: sophisticated, rhythmically restless, with moments of lyrical beauty that emerge from bustling musical streets. The work moves between café-like bustle, wistful melody, and moments of near-operatic grandeur, all rendered with orchestral color that feels both lush and economical.

Who it's for

Orchestras with strong to advanced musicians who are ready to tackle the technical and stylistic demands of major 20th-century repertoire. This is repertoire for ensembles that have solidified their fundamentals and can now engage with sophisticated harmonic language, jazz-inflected rhythms, and complex orchestration.

How to get the most out of it

  • Balance the jazz idioms and blues inflections against the classical architecture of the work; resist pulling the piece toward either pure jazz or pure concert music. The tension between these languages is where the piece lives.
  • Pay close attention to the published tempo relationships between sections. Gershwin's tempo choices directly support the harmonic and orchestral transitions, so shifts in pace should feel inevitable rather than abrupt.
  • Coordinate the woodwind writing (particularly oboe and clarinet solos) with the string sections that accompany them; the interplay between these voices defines much of the work's character and charm.

How to use it

Position this as a centerpiece for a concert exploring American orchestral music of the early 20th century, or program it alongside other works that blend vernacular and concert traditions. It works equally well as the major orchestral feature on a mixed concert or as part of a season celebrating Gershwin's concert works.

Skills your students will build

  • Reading and performing jazz-inflected rhythms and syncopation in an orchestral context
  • Balancing multiple independent melodic lines across different instrumental families
  • Executing stylistically appropriate articulation and phrasing in popular-music-influenced passages
  • Understanding harmonic language that blends chromatic jazz harmony with classical structure
  • Listening across the orchestra to track primary and secondary melodic material

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