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American Folk Songs for Solo Singers: Low Voice Book

$15.99 USD
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American Folk Songs for Solo Singers Cover Image

American Folk Songs for Solo Singers: Low Voice Book

13 Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests

Arr. Jay Althouse

Item: 00-35565

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Description
Most vocal teachers have already discovered Jay's extremely popular Folk Songs for Solo Singers collections. And now, Alfred is excited to offer another for vocal students and their teachers! American Folk Songs for Solo Singers includes an excellent variety of solo material for recitals, concerts, and contests, available in two voicings.


Titles: Bright Morning Stars * Down in the Valley to Pray * Honey Babe * How Can I Keep from Singing? * My Lord, What a Morning * Nine Hundred Miles * Old Joe Clark * Pretty Little Girl * Shenandoah * Simple Gifts * Sometimes I Feel Like a Motherless Child * Sun Don't Set in the Mornin' * The Water Is Wide.

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-7815-1
ISBN13: 978-0-7390-7815-0
UPC: 038081397610
SKU: 00-35565

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. His career spans both the publishing industry (where he served eight years in rights and licensing) and composition, with over 800 choral works in print across all levels. He holds membership in ASCAP and regularly receives the organization's Special Award.

Beyond his prolific composing work, Althouse has become known for curating and arranging vocal solo collections that serve teachers and singers nationwide. He has co-written children's musicals with his wife Sally K. Albrecht, contributed to widely used classroom resources including The Complete Choral Warm-up Book and Accent on Composers, and served on the boards of the North Carolina Master Chorale and the Folk Art Society of America. His arrangements of traditional songs reflect a deep engagement with American musical heritage.

Why we love this

Althouse understands what low voice singers need: arrangements that sit comfortably in the range without sacrificing musicality or authenticity. These 13 American folk standards give you genuine concert and contest material that teachers recognize and students enjoy learning, making it refreshingly straightforward to program meaningful recital experiences.

What to expect

These arrangements honor the democratic spirit of American folk tradition while offering pianistic sophistication for the recital hall. Whether singing about hardship, love, faith, or daily life, the collection moves with the directness and emotional weight that folk melodies carry naturally.

Who it's for

Low voice singers preparing solo repertoire for voice lessons, recitals, competitions, and concerts will find genuine performance material that sits securely in their range. Voice teachers looking to expand their students' exposure to American roots music will appreciate having a curated, professionally arranged collection of standards in one book.

How to get the most out of it

  • Study the text setting closely; folk songs often carry regional dialects and inflections that shape how the melody should land. Let the lyrics guide your phrasing naturally rather than imposing a classical operatic approach.
  • Pay attention to the accompaniment style in each arrangement. Some arrangements draw on traditional settings while others modernize the harmonic language; match your vocal interpretation to the piano's character.
  • Balance storytelling with technical execution. These songs succeed when the narrative draws listeners in, so prioritize clarity of text and emotional honesty over perfection of individual vocal techniques.

How to use it

Open a recital or concert with a folk set drawn from these titles to establish an intimate connection with your audience; folk songs welcome listeners immediately. Program selections alongside classical or contemporary art songs to show range and cultural breadth, or build an entire program around these traditions for a thematic evening of American music.

Skills your students will build

  • Interpretation of American vernacular singing style and regional vocal characteristics
  • Text clarity and storytelling in extended narrative songs
  • Sight-reading in varied harmonic contexts (from diatonic folk settings to more complex arrangements)
  • Vocal comfort and range security in low voice tessitura
  • Collaboration with accompanists in styles outside classical European traditions

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