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American Folk Songs for Solo Singers: High Voice CD

$16.99 USD
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American Folk Songs for Solo Singers Cover Image

American Folk Songs for Solo Singers: High Voice CD

13 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

Arr. Jay Althouse

Item: 00-35563

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Description
Most vocal teachers have already discovered Jay's extremely popular Folk Songs for Solo Singers collections. And now, Alfred is excited to offer another for vocal students and their teachers! American Folk Songs for Solo Singers includes an excellent variety of solo material for recitals, concerts, and contests, available in two voicings.


Titles: Bright Morning Stars * Down in the Valley to Pray * Honey Babe * How Can I Keep from Singing? * My Lord, What a Morning * Nine Hundred Miles * Old Joe Clark * Pretty Little Girl * Shenandoah * Simple Gifts * Sometimes I Feel Like a Motherless Child * Sun Don't Set in the Mornin' * The Water Is Wide.

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
ISBN10: 0-7390-7813-5
ISBN13: 978-0-7390-7813-6
UPC: 038081397597
SKU: 00-35563

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he earned the Distinguished Alumni award. Early in his career, he worked for eight years as a rights and licenses administrator at a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 works for choirs across all levels, performed widely throughout English-speaking countries. He holds membership in ASCAP and is a regular recipient of the ASCAP Special Award.

Beyond composition, Althouse has compiled and arranged numerous respected vocal solo collections and co-authored influential resources including The Complete Choral Warm-up Book and Accent on Composers. He co-wrote I Hear America Singing with his wife Sally K. Albrecht, a choral work performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 inauguration. Althouse has served on the board of the North Carolina Master Chorale and currently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

This collection offers singers genuine solo material that works equally well in a recital hall or on a contest stage. The arrangements respect the integrity of each folk melody while providing thoughtful vocal writing that sits comfortably in the voice, and the variety across thirteen songs means you'll find repertoire suited to different interpretive moods and technical levels.

What to expect

These arrangements honor the rootedness of American folk music while supporting the solo singer with clear harmonic support and considered accompaniment. Each song carries its own character: some are meditative and introspective, others spirited and hopeful, and all of them feel genuinely singable without requiring operatic technique or extensive dramatic training.

Who it's for

This collection serves high voice singers preparing for recitals, auditions, or vocal competitions who want accessible yet substantial American repertoire. It works equally well for voice students building their performance library and for singers seeking material that bridges classical training with folk traditions.

How to get the most out of it

  • Let the text of each song guide your phrasing and breath placement. These melodies have natural language rhythms; honor them rather than imposing arbitrary musical subdivisions.
  • Use the accompaniment recording to establish a stable harmonic foundation before rehearsing, then practice singing over it to develop independence and confidence.
  • Approach storytelling songs like 'Nine Hundred Miles' and 'Sometimes I Feel Like a Motherless Child' with dramatic clarity. These narratives deserve attention to lyrical detail and emotional authenticity.
  • Balance vocal projection with intimacy. Folk songs work best when the audience feels invited into a personal moment, not sung at from a distance.

How to use it

Program individual selections from this collection in a recital centered on American music, pairing them with other art song or folk arrangements to create a cohesive concert theme. The variety of styles and moods also makes these songs effective as stand-alone contest entries or as repertoire options for voice students at any stage of their training.

Skills your students will build

  • Singing American folk melodies with stylistically appropriate phrasing and interpretation
  • Building endurance and vocal consistency across a full recital program
  • Connecting lyrical storytelling to musical choices in melody and phrasing
  • Developing independence from accompaniment while maintaining ensemble awareness with a pianist

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