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American Folk Songs for Solo Singers: High Voice Book & Online Audio

$26.99 USD
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American Folk Songs for Solo Singers Cover Image

American Folk Songs for Solo Singers: High Voice Book & Online Audio

13 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

Arr. Jay Althouse

Item: 00-35564

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Most vocal teachers have already discovered Jay's extremely popular Folk Songs for Solo Singers collections. And now, Alfred is excited to offer another for vocal students and their teachers! American Folk Songs for Solo Singers includes an excellent variety of solo material for recitals, concerts, and contests, available in two voicings.


Titles: Bright Morning Stars * Down in the Valley to Pray * Honey Babe * How Can I Keep from Singing? * My Lord, What a Morning * Nine Hundred Miles * Old Joe Clark * Pretty Little Girl * Shenandoah * Simple Gifts * Sometimes I Feel Like a Motherless Child * Sun Don't Set in the Mornin' * The Water Is Wide.

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-7814-3
ISBN13: 978-0-7390-7814-3
UPC: 038081397603
SKU: 00-35564

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His eight-year tenure as a rights and licenses administrator at a major educational publisher gave him deep insight into what teachers and singers actually need in the classroom and rehearsal room. He served on the Executive Board of the Music Publishers Association of America during this period.

As a composer, Althouse has over 800 choral works in print and is a writer member of ASCAP, regularly receiving the organization's Special Award. Beyond composition, he has shaped vocal pedagogy through curated collections like Folk Songs for Solo Singers, co-authored definitive resources such as The Complete Choral Warm-up Book and Accent on Composers, and contributed to the folk music world as an advisory board member of the Folk Art Society of America. His choral work I Hear America Singing, co-written with his wife Sally Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration.

Why we love this

Althouse has spent decades studying what makes folk material work for young singers, and this collection proves it. Each arrangement sits comfortably in the high voice while preserving the emotional weight and authenticity of these American standards, giving students songs that sound immediately rewarding without oversimplifying the musical content.

What to expect

These songs carry the weathered wisdom of American tradition, arranged with clarity and respect for their origins. Whether you're singing about hardship, longing, or simple faith, the music gives you room to breathe and connect authentically with the material.

Who it's for

High voice singers preparing for recitals, auditions, and competitions will find reliable, well-crafted material that programs beautifully alongside classical art song. Voice teachers can build lessons around this collection's variety, knowing the arrangements will grow with their students' technical abilities.

How to get the most out of it

  • Let the text drive your interpretation first. Folk songs live in their stories, and allowing the narrative arc to shape your phrasing will make the accompaniment fall into place naturally.
  • Balance authenticity with your own voice. These arrangements honor tradition while leaving room for personal expression; find the places where you can linger or push forward.
  • Use the online audio as a reference, not a template. Hear how one performer approaches the material, then make deliberate choices that reflect your own understanding of the song.

How to use it

Build a concert around American roots music by pairing selections from this collection with spirituals and contemporary folk settings, or integrate individual songs into a mixed recital as anchors between more formal repertoire. The breadth of these thirteen songs means you can easily program a complete set for contest or a single meaningful selection for a smaller recital.

Skills your students will build

  • Authentic interpretation of American folk idioms and vocal styling
  • Narrative phrasing that serves text and emotional content
  • Navigating modal melody lines with confidence and tuning precision
  • Balancing rhythmic freedom with accompaniment support
  • Building repertoire depth for auditions and recital programming

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