America, the Beautiful Cover Image

America, the Beautiful: Choral SoundPax

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America, the Beautiful Cover Image

America, the Beautiful: Choral SoundPax

Words by Katherine Lee Bates, music by Samuel A. Ward / arr. Mark Hayes

Item: 00-7244

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We think this is the finest arrangement we've heard of the patriotic work that many believe should be our national anthem. Mark Hayes' arrangement uses fresh, new harmonies and is thoroughly inspirational. Optional narration includes writings by Jefferson, Lincoln, and Martin Luther King. Vocals are not difficult for a piece of this order. Consider for use at festivals. InstruPax includes: director's score, 3 trumpets, 2 trombones, 2 French horns [opt. baritone], percussion.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, America, the Beautiful: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 22
UPC: 038081029719
SKU: 00-7244
Instrumentation: 3 trumpets, 2 trombones, 2 French horns [opt. baritone], percussion, score

More about this title

About the Composer: Samuel A. Ward

Samuel A. Ward (1848–1903) was an American composer and music publisher whose hymn tune "Materna" became the musical foundation for one of the nation's most enduring patriotic songs. Originally trained as a musician in Newark, New Jersey, Ward composed primarily sacred and vocal music, with a gift for memorable melodies that resonated with congregations and communities alike.

Ward's "Materna" first appeared in 1882 and was paired with Katharine Lee Bates' poem "America the Beautiful" in 1904, the year after his death. The tune's stately grandeur and accessibility have made it a staple of American civic and sacred music ever since.

Why we love this

Mark Hayes' harmonization captures what makes this melody so powerful: dignity without excess, accessibility without simplification. The optional narration transforms a beloved hymn into a meditative statement on American ideals, giving your choir a way to engage with the text at a deeper level than a standard arrangement allows. This is the kind of piece that resonates long after the concert ends.

What to expect

Stately and reflective, with moments of genuine warmth. Hayes' harmonies feel both familiar and fresh, inviting singers into the emotional core of the text rather than asking them to simply perform notes on a page. The combination of choir and brass creates a sound that feels both intimate and grand.

Who it's for

Choirs of any age or ability level looking for a meaningful patriotic or seasonal piece that doesn't demand advanced vocal technique. This arrangement works equally well for middle school through adult choirs, community groups, and church settings, especially those seeking repertoire that engages listeners emotionally without requiring extensive rehearsal time.

How to get the most out of it

  • Establish the foundational melody clearly in the first verse so audiences recognize and connect with the tune immediately, especially if narration opens the arrangement.
  • Balance the brass accompaniment so it supports rather than overwhelms the choir; the fresh harmonies are best heard when the vocal lines remain prominent.
  • If using narration, coordinate pacing with your reader and allow silence between passages to let the words settle before the choir re-enters.
  • Pay attention to the optional baritone part for French horn; if your section is stronger in baritone range, this doubling can enrich the harmonic texture.

How to use it

Reserve this for meaningful moments in your season: opening a summer concert, anchoring a patriotic program, or offering it as a closing benediction at festival. The optional narration makes it particularly effective as a concert centerpiece or finale, allowing you to frame your entire program around themes of American democracy and ideals.

Skills your students will build

  • Singing with instrumental accompaniment and maintaining independence from brass doubling
  • Sustaining tone through longer phrases and building dynamic shape across a full arrangement
  • Responding to textual nuance and historical reference through interpretation
  • Balancing multiple harmonic layers as an ensemble

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