Alleluia Fanfare: SSA Choral Octavo
By Earlene Rentz
Item: 00-PO-0000032
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About the Composer: Earlene Rentz

Earlene Rentz is a prolific choral composer and arranger based in North Carolina with deep roots in both K-12 and higher education music instruction. She spent seven years directing choral programs across elementary, junior high, and high school levels, then devoted twelve years to teaching choral music education at the university level. Her experience conducting All-State choirs in Georgia, Florida, Kentucky, and Alabama has shaped her understanding of what works in ensemble settings across skill levels.
With over 700 published choral works distributed across seventeen publishers, Rentz has established herself as a reliable voice in sacred and secular choral literature. Her output reflects a composer who understands the practical realities of school and community choirs: accessible writing that doesn't sacrifice musical substance.
Why we love this
Rentz knows how to write music that sounds bigger than it is. The full piano accompaniment creates richness without technical complexity, so your accompanist won't spend rehearsals wrestling with the score. The optional brass and percussion parts mean you can program this as a flexible centerpiece: effective with voices alone, genuinely festive with full instrumentation.
What to expect
Majestic and joyful, with the kind of luminous quality that comes from combining Latin text, major-key harmony, and full piano writing. The 6/8 meter gives it a lilting, almost dance-like character within a reverent framework, making it feel both uplifting and grounded.
Who it's for
This octavo works for SSA choirs at the intermediate to advanced level who need repertoire with both musicality and programming flexibility. It suits adult community choirs, high school women's ensembles, and confident middle school treble groups looking for festival or concert material with genuine substance.
How to get the most out of it
- Let the 6/8 meter breathe with a relaxed, lilting pulse rather than a heavy beat; this rhythmic feel naturally lifts the text and helps the piece feel celebratory without rushing.
- Balance the SSA voices so the soprano line sings through clearly while the two lower parts provide harmonic weight; avoid covering the text with thick accompaniment.
- If adding brass and percussion, rehearse the choral and instrumental parts separately first, then integrate with clear cutoffs and entries so the added color enhances rather than obscures the singing.
How to use it
Program this as a strong centerpiece on a sacred concert or as a festival offering where you want to show off both the choir's ensemble blend and their ability to handle full instrumentation. Its festive character also makes it effective as a concert closer or as part of a holiday program outside the Christmas season.
Skills your students will build
- Singing in 6/8 meter with consistent rhythmic subdivision
- Maintaining blend and intonation across three independent vocal lines
- Articulation and diction clarity in Latin text
- Coordinate with piano accompaniment and optional instrumental parts