Alleluia Fanfare Cover Image

Alleluia Fanfare: 3-Part Mixed Choral Octavo

$2.25 USD
Sale price  $2.25 USD Regular price 
Skip to product information
Alleluia Fanfare Cover Image

Alleluia Fanfare: 3-Part Mixed Choral Octavo

By Earlene Rentz

Item: 00-23948

makemusic Cloud badge

Need it now?

Buy Digital Version
$2.25
Shipped

One moment…

Description
This majestic piece is a glorious addition to choral concerts and festivals year round. Earlene's 6/8 setting of the Latin text is underscored by a full-sounding piano accompaniment that is not difficult to play. Make it more festive by performing with live brass and percussion or the jubilant SoundTrax CD.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Alleluia Fanfare: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081260563
SKU: 00-23948

More about this title

About the Composer: Earlene Rentz

Earlene Rentz

Earlene Rentz brings three decades of classroom and concert experience to her prolific output of choral music. She spent seven years directing choral programs across elementary, junior high, and high school levels in public schools, then moved into higher education where she taught choral pedagogy and music education for twelve years. Her work has earned recognition across the Southeast, with invitations to conduct All-State choirs in Georgia, Florida, Kentucky, and Alabama.

Based in North Carolina, Rentz has established herself as one of the most published choral composers of our time, with over 700 compositions appearing through 17 different publishers. Her catalog spans sacred and secular works, and she writes with a clear understanding of what makes music engaging for singers and audiences alike.

Why we love this

Rentz understands what makes a festive piece actually work in performance. The 6/8 meter creates natural lift and forward motion, while the three-part voicing keeps the ensemble manageable without sacrificing fullness thanks to the rich piano part. The optional brass and percussion enhancements give you real flexibility, whether you're programming a spring concert in May or a holiday celebration.

What to expect

Majestic and celebratory, with the kind of radiant joy that makes audiences sit up and listen. The 6/8 meter gives it a lilting, almost processional quality, while the Latin text and full harmonic palette create weight and reverence alongside the brightness.

Who it's for

Three-part mixed ensembles at the intermediate to advanced level will find this piece accessible yet rewarding. It works for school choirs, community singers, and festival programs where you need something that sounds polished without demanding a large or highly specialized group.

How to get the most out of it

  • Keep the eighth-note pulse steady and unhurried in 6/8; resist the urge to rush despite the festive energy. The majestic quality depends on singers feeling the space within the meter.
  • Balance the vocal lines carefully against the piano accompaniment. The writing is full but not dense, which means clarity matters more than power.
  • If adding brass and percussion, rehearse them separately from the choir first. Let the ensemble hear how their parts sit in the texture before combining everything.

How to use it

This piece shines as a concert opener or closing number, especially when you want to establish an elevated, festive tone. It also serves well for spring concerts, holiday programs, and any occasion calling for uplifting sacred music. The optional live brass and percussion make it a natural fit for combined concerts with your instrumental ensembles.

Skills your students will build

  • Singing in compound meter (6/8) with rhythmic precision
  • Balancing three-part voicing against fuller accompaniment
  • Diction and phrasing in Latin text
  • Blend and intonation in sustained harmonic passages

You May Also Like