Allegro in D for Strings Cover Image

Allegro in D for Strings: String Orchestra Conductor Score

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Allegro in D for Strings: String Orchestra Conductor Score

By Antonio Vivaldi / arr. Steven Frackenpohl

Grade: 3

Item: 36-10255063

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Description
One of Ludwig's all-time best sellers, teachers and students love this stirring arrangement of the first movement of Vivaldi's "Concerto in C for Two Trumpets, Op. 46, No. 1" that retains the characteristic "trumpet" sound of the original.  This delightful concert selection for string orchestra has transferred the solo trumpet lines to the first and second violins.

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Additional Details
Series: StringMasters - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106894-8
ISBN13: 978-1-58-106894-8
UPC: 679360773109
SKU: 36-10255063
Instrumentation: String Orchestra

More about this title

About the Composer: Antonio Vivaldi

Antonio Vivaldi (1678, 1741) shaped the concerto grosso into one of the Baroque era's most enduring forms. His prolific output across instrumental and vocal genres established conventions that composers would follow for generations, and his technical demands pushed violinists and ensemble players to new levels of virtuosity.

Vivaldi's gift for memorable melodies and clear harmonic architecture made his music immediately accessible to performers and audiences alike. That combination of craftsmanship and direct appeal explains why his concertos remain teaching staples in string programs today.

Why we love this

Frackenpohl's arrangement preserves the swagger and brightness of Vivaldi's original trumpet writing while making it genuinely singable for first and second violins. Your ensemble gets all the character and drive of a virtuosic Baroque concerto at a grade level where it actually works musically, which is rarer than you'd expect.

What to expect

Bright, propulsive, and full of forward momentum. The energy feels celebratory without being fussy, with the kind of rhythmic snap that makes audiences sit up and listen. There's genuine virtuosity on display, even if the technical demands remain approachable.

Who it's for

Grade 3 string orchestras that have solid rhythmic coordination and can handle exposed playing in the upper strings. This sits perfectly for ensembles moving beyond simple arrangements into legitimate period literature that still sits comfortably under the fingers.

How to get the most out of it

  • Articulate the opening theme crisply. Those trumpet-derived lines in the violins need that characteristic detached, bouncy quality to land the Baroque style.
  • Balance the solo violin passages against the accompanying strings; the first and second violins trade the spotlight, so make sure transitions feel intentional rather than ragged.
  • Keep the tempo steady but not rigid. Vivaldi's harmonic motion is straightforward enough that rubato will undermine it, but mechanical metronomic playing flattens the dance-like character.
  • Let the lower strings shape the harmonic foundation with clarity. In grade 3 orchestras, the cello and bass lines often get swallowed, but here they anchor the whole sound.

How to use it

Open a concert with this as an energizer, or pair it with other Baroque material to build a thematic suite. It also works well as a contrast piece between slower, more lyrical selections, since it showcases the orchestra's rhythmic precision and clarity of articulation.

Skills your students will build

  • Baroque articulation and bowing style
  • Balancing transparent texture with forward-moving harmonic rhythm
  • Trading solo lines between sections while maintaining ensemble cohesion
  • Performing with rhythmic precision at a moderate tempo

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