All I Want for Christmas Is My Two Front Teeth Cover Image

All I Want for Christmas Is My Two Front Teeth: SoundTrax Digital Audio Download

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All I Want for Christmas Is My Two Front Teeth Cover Image

All I Want for Christmas Is My Two Front Teeth: SoundTrax Digital Audio Download

Arr. Alan Billingsley

Item: 00-A-00014685

$29.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014685

More about this title

About the Composer: Don Gardner

Don Gardner wrote one of the most enduring novelty songs in American popular music. "All I Want for Christmas Is My Two Front Teeth" became a standard after its 1946 release, capturing the charm of a child's lisp and innocent holiday wish. The song has remained a perennial favorite across generations, recorded countless times and adapted for nearly every musical ensemble imaginable.

Why we love this

Alan Billingsley's arrangement captures the absurd charm of this novelty classic while giving your choir genuine fun to perform. The jazz voicings and rhythmic vitality in the choral parts make this feel like a real song, not a gimmick, even though audiences will laugh every time.

What to expect

A wink and a grin delivered with jazz polish. The piece swings with energy and irreverence while the harmonies keep it musically satisfying. You're singing something ridiculous, but you're singing it well.

Who it's for

Choirs looking for a showstopper that works for holiday concerts, end-of-semester celebrations, or any program needing a palate cleanser with genuine musicality. This arrangement suits intermediate to advanced ensembles who can handle jazz voicings and comedic timing without losing control.

How to get the most out of it

  • Commit fully to the character and humor. The arrangement lands best when singers treat the silly lyric with genuine musicality rather than winking at the audience.
  • Use the recorded accompaniment to lock in the groove. This piece has swagger, and the rhythm section will help your singers find the pocket.
  • Balance clarity in the ensemble parts with flexibility for solo moments. The novelty works only if listeners hear both the joke and the harmony underneath it.

How to use it

Program this as a finale or encore when you need to send the audience out laughing. It works beautifully after a set of traditional holiday repertoire, offering contrast and energy without undermining your program's musicality.

Skills your students will build

  • Jazz voicing and chromatic harmony
  • Rhythmic precision in a swing feel
  • Balancing humor with musical integrity
  • Ensemble blend across divisi parts

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