Alfred's Basic Piano Library: Fun Book 3 Cover Image

Alfred's Basic Piano Library: Fun Book 3: Piano Book

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Alfred's Basic Piano Library: Fun Book 3 Cover Image

Alfred's Basic Piano Library: Fun Book 3: Piano Book

A Collection of 17 Entertaining Solos

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: 3

Item: 00-2393

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Description
The Fun Books provide additional recital pieces designed for students who require more solo material and are particularly useful when two students are from the same family (Recital Book for one, Fun Book for the other).

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-1198-7
ISBN13: 978-0-7390-1198-0
UPC: 038081001357
SKU: 00-2393

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally celebrated musician, educator, and scholar whose prolific career spanned multiple instruments and musical genres. A child prodigy who performed piano on radio at age 13, he built his musical foundation through early studies with Mae Vardeman, a mentor who cultivated his improvisational talents alongside rigorous technical training. His early years saw him performing accordion and piano across radio broadcasts and campus ensembles while studying at Whitworth College and Millsaps College in Mississippi.

Palmer's scholarly contributions proved equally impressive. He authored 789 published compositions including accordion and piano methods, guitar materials, and choral works translated into German, Japanese, French, Dutch, and Spanish. His expertise in Baroque music ornamentation earned him worldwide recognition and formed the foundation for the Alfred Masterworks series. He received a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983 in recognition of his musicological achievements.

Beyond composition and writing, Palmer maintained an active teaching presence. He spent 18 years at the University of Houston, establishing the first successful college-level accordion courses while conducting advanced post-graduate study. As director of the Riemenschneider Bach Institute and longtime choir director at Memorial Lutheran Church in Houston, Palmer remained deeply engaged in both performance and spiritual music. He held memberships in the American Federation of Musicians, American Accordionists' Association, and American Society of Composers, Authors and Publishers.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. for more than six decades, from 1952 to 2016. He joined the company in the late 1940s after earning a business degree from City College of New York, eventually taking over leadership when his father Sam retired. A skilled clarinetist and pianist, Manus transformed Alfred Music from a traditional sheet music publisher into a comprehensive music education enterprise.

During his tenure, Manus spearheaded the creation of instructional materials that became industry standards. He commissioned the development of accordion instruction books in the 1950s, followed by educational series for guitar, piano, and recorder. These innovative products established Alfred Music as a leader in music education resources. The company's success prompted a relocation of its main headquarters to Los Angeles in 1975, with a separate distribution center built in upstate New York.

Manus's sons Ron and Steve continued the family legacy by joining Alfred Music in 1988 and 1992 respectively. Together they expanded the company's global reach by opening international offices in Australia, Germany, Singapore, and the UK. In 2005, Alfred Music acquired Warner Bros. Publications and secured rights to the EMI Catalogue Partnership, further solidifying its position as a major force in music publishing and education.
Amanda Vick Lethco
Dr. Amanda Vick Lethco co-authored Alfred's Basic Piano Library with Dr. Willard Palmer and Morton Manus, a piano method that has achieved worldwide recognition. She earned her Bachelor of Music degree in Piano Performance and Bachelor of Music Education from Northwestern University, followed by a Master of Music degree in Piano Performance from the same institution. Her training also included study with prestigious pedagogues including James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, and Douglas Moore at Columbia University.

As Professor Emeritus of Piano Pedagogy at the University of Texas at Austin, Dr. Lethco maintained an extensive teaching practice in major cities including New York, San Antonio, Austin, and Houston. She received an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi, and appears in both the International Who's Who of Musicians and the World Who's Who of Women. In addition to co-authoring Creating Music at the Piano with Dr. Palmer, she published numerous works on piano pedagogy and performance.

Dr. Lethco established herself as an active clinician and workshop leader, conducting sessions across the United States and internationally in Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia. She performed recitals throughout the United States and contributed significantly to music education through her presentations on college and university campuses.

Why we love this

Alfred's Fun Books solve a real scheduling challenge in studio teaching: when siblings or multiple students from the same household need recital material at the same level, this book provides fresh solo options beyond the standard Recital Book. Palmer's pieces are written with genuine keyboard facility in mind—they sound more accomplished than they are to play, which builds student confidence without overwhelming technique.

What to expect

These pieces balance musical substance with approachability. Each one offers a complete musical idea—whether playful, lyrical, or rhythmically engaging—without demanding virtuosity. Students encounter genuine compositional craft within their technical reach, making each piece rewarding to master and perform.

Who it's for

Studio piano teachers managing multiple students at the same level, particularly those teaching siblings or paired students who need distinct recital material. Students working at Level 3 of Alfred's Basic Piano Library who have completed the primary Recital Book and want additional solo performance opportunities.

How to get the most out of it

  • Assign one student the Recital Book piece and the other the Fun Book selection for a studio recital or family showcase; the identical level ensures both performers feel equally prepared and the variety keeps the program engaging.
  • Preview the page turns before performance; with only 32 pages, identify which pieces have awkward breaks and plan fingering or pacing to avoid fumbling during transitions.
  • Use these pieces as sight-reading warm-ups in the weeks following recital season; the Level 3 difficulty keeps hands active between more demanding repertoire.
  • Record student performances and have them listen back; at this level, students benefit from hearing their own phrasing and articulation choices in a low-pressure context.

How to use it

Program one Fun Book piece and one Recital Book selection from the same student's level in a studio recital to create variety without stepping outside the curriculum. Use these for mid-year student showcases, informal living room concerts, or community performances where students benefit from performance experience without the pressure of major recital events. Insert a Fun Book selection into a group lesson recital when you need solo material at this level but want to avoid duplication with other students' choices.

Skills your students will build

  • Sight-reading at Level 3 difficulty
  • Musical phrasing and shaping within a single-page or short-form context
  • Performance confidence through accessible but complete solo material
  • Ensemble awareness if used in studio group recitals alongside Recital Book pieces

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