Alfred Jazz Play-Along Series, Vol. 4: The Music of Gordon Goodwin Cover Image

Alfred Jazz Play-Along Series, Vol. 4: The Music of Gordon Goodwin: C, B-flat, E-flat & Bass Clef Instruments Book & CD

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Alfred Jazz Play-Along Series, Vol. 4: The Music of Gordon Goodwin Cover Image

Alfred Jazz Play-Along Series, Vol. 4: The Music of Gordon Goodwin: C, B-flat, E-flat & Bass Clef Instruments Book & CD

9 Big Phat Band Classics

Gordon Goodwin

Grade: 2

Item: 00-36099

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Nine Gordon Goodwin Big Phat Band classics in a jazz play-along! The Alfred Jazz Play-Along series goes beyond the other play-alongs. Each volume has parts for C, B-flat, E-flat and bass clef instruments and includes a sample jazz solo that is written out for you to listen to, play, and practice. The included mp3 CD has two tracks for each tune---demo and play-along track. The demo track, featuring Gordon Goodwin and players from the Big Phat Band, is a learning tool for the melodic concept, overall jazz style and the sample jazz solo. The play-along track allows a soloist or group to learn and perform with the rhythm section. The mp3 CD also features tempo changing software allowing you to slow down or speed up the tempo. Specific improvisation tips and suggestions are included. There is also a matching book for rhythm section featuring piano, bass and drum parts.

Titles: Count Bubba's Revenge * High Maintenance * Howdiz Songo? * Jazz Police * Maynard & Waynard * Race to the Bridge * Rippin 'n Runnin' * That's How We Roll * The Very Best of Times.

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2 Maynard & Waynard --:--

Jazz Police

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Additional Details
Series: Alfred Jazz Play-Along Series
Publisher: Alfred Music
Page Count: 88
ISBN10: 0-7390-7611-6
ISBN13: 978-0-7390-7611-8
UPC: 038081409009
SKU: 00-36099
Instrumentation: C, B-flat, E-flat & Bass Clef Instruments

More about this title

About the Author: Gordon Goodwin

Gordon Goodwin

Gordon Goodwin began composing at age five, transcribing complete works rather than fragments. By thirteen, he had already written his first big band chart, Hang Loose, signaling the compositional maturity that would define his career. His work has earned three Emmy awards and multiple Grammy nominations across film scoring, television, and concert music.

Beyond his accolades in cinematic and broadcast work, Goodwin has established himself as a bandleader and orchestrator of the highest caliber. Since founding Gordon Goodwin's Big Phat Band in 2000, he has created a new standard for contemporary big band jazz, blending sophisticated arranging with infectious grooves. His compositions and arrangements reflect decades of collaboration with world-class musicians and orchestras across multiple continents.

Why we love this

This collection captures nine of Goodwin's most successful big band arrangements in a format that works for any instrumentation you actually have in your room. The inclusion of demo tracks performed by Goodwin and his band members provides a gold standard reference; students hear exactly how these grooves are supposed to swing, how soloists navigate the changes, and what stylistic details matter. Equally valuable is the flexibility to scale performances from a small combo using the play-along tracks to a full ensemble reading from written parts.

What to expect

These nine tunes pulse with the confident swagger of modern big band jazz. Each arrangement balances clear, singable melodies with sophisticated harmonic movement and infectious rhythmic grooves that sit somewhere between bebop sophistication and funk-inflected contemporary jazz. The style feels immediate and energetic; this is music written for people who want to play jazz, not study it from a distance.

Who it's for

Jazz ensembles and small combos at the high school and community band level, as well as private instructors working with intermediate jazz students across all instruments. Directors managing mixed instrumentation (trumpet, saxophone, trombone, tuba, and rhythm section) will find these arrangements accessible without sacrificing authentic big band style.

How to get the most out of it

  • Listen to the demo track before attempting the play-along; focus on how the soloists phrase over the changes and where they land on the beat relative to the rhythm section.
  • Use the tempo adjustment software to nail the groove at a slower speed first, then gradually increase to performance tempo once the solo and harmonic framework feel natural.
  • Study the written-out sample solo closely before improvising; Goodwin's solos model the specific jazz vocabulary and articulation he expects to hear in each tune.
  • Coordinate dynamics and phrasing with the play-along track by listening critically to how the piano and bass anchor the harmonic progression.

How to use it

Feature individual tunes as concert openers or set-closers where you want high energy and crowd engagement. The nine-tune catalog gives you flexibility to program a complete jazz concert or weave selections throughout a mixed instrumental concert. Smaller combos can use any arrangement as a vehicle for student soloists in a recital setting, while the play-along tracks function as rehearsal tools when full ensemble rehearsal time is limited.

Skills your students will build

  • Improvising over jazz changes and groove-based vamps
  • Balancing sectional cohesion while soloing over written ensemble parts
  • Interpreting swing rhythms and phrasing idiomatic to contemporary big band style
  • Reading lead sheets and comping changes in real time with the rhythm section
  • Transcribing and internalizing melodic phrases from professional recordings

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