Alfred Jazz Play-Along Series, Vol. 4: The Music of Gordon Goodwin Cover Image

Alfred Jazz Play-Along Series, Vol. 4: The Music of Gordon Goodwin: Rhythm Section (Piano, Bass, Drumset) Book & MP3 CD

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Alfred Jazz Play-Along Series, Vol. 4: The Music of Gordon Goodwin Cover Image

Alfred Jazz Play-Along Series, Vol. 4: The Music of Gordon Goodwin: Rhythm Section (Piano, Bass, Drumset) Book & MP3 CD

9 Big Phat Band Classics

Gordon Goodwin

Grade: 2

Item: 00-36102

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Nine Gordon Goodwin Big Phat Band classics in a jazz play-along! The Alfred Jazz Play-Along series for Rhythm Section goes beyond the other play-alongs. The rhythm section book has written-out parts for piano, bass, and drumset to show comping suggestions. In addition, each tune includes the melody and a sample jazz solo written out for you to listen to, play, and practice. The included mp3 CD has a demo track and a play-along track for for piano, bass, and drums. The demo track, featuring Gordon Goodwin and players from the Big Phat Band, is a learning tool for the melody, piano comping, bass lines, drum parts, and improvisation. The play-along track allows each player to practice with the rhythm section as individuals with their part removed from the mix. The MP3 CD also features tempo changing software allowing you to slow down or speed up the tempo. The written comping examples along with the written sample solos are all invaluable assets that make learning how to improvise easier. Nine great Gordon Goodwin compositions = great jazz!

Titles: Count Bubba's Revenge * High Maintenance * Howdiz Songo? * Jazz Police * Maynard & Waynard * Race to the Bridge * Rippin 'n Runnin' * That's How We Roll * The Very Best of Times

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Sample Pages

Sample Audio
1 Jazz Police --:--
2 Maynard & Waynard --:--

Jazz Police

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Additional Details
Series: Alfred Jazz Play-Along Series
Publisher: Alfred Music
Page Count: 148
ISBN10: 0-7390-7612-4
ISBN13: 978-0-7390-7612-5
UPC: 038081409016
SKU: 00-36102
Instrumentation: Rhythm Section

More about this title

About the Author: Gordon Goodwin

Gordon Goodwin

Gordon Goodwin began composing complete works at age five, writing full arrangements rather than isolated fragments. By thirteen, he had already completed his first big band chart, Hang Loose, signaling gifts that would eventually shape his career across film, television, and jazz performance. His work has earned three Emmy Awards and multiple Grammy nominations, with orchestrations heard in films including Bad Boys II, Con Air, Remember the Titans, and Star Trek: Nemesis.

Goodwin has written for and performed alongside major artists including Christina Aguilera, Quincy Jones, Ray Charles, and David Foster. Since founding Gordon Goodwin's Big Phat Band in 2000, he has established himself as both a bandleader and composer of consequence in contemporary big band jazz. His albums have received Grammy recognition, and he has conducted orchestras across North America and Europe.

Why we love this

These nine arrangements represent how a master composer writes for working rhythm sections: the written comping examples and sample solos function as study material, not just filler. Your pianists, bassists, and drummers get to learn directly from the way Gordon Goodwin's own Big Phat Band approaches these tunes, making this both a performance resource and a masterclass in ensemble interaction.

What to expect

These tunes swing with wit and sophistication. Goodwin's writing balances accessibility with genuine harmonic and rhythmic complexity, creating charts that feel playable without sacrificing the energy and humor that define his Big Phat Band sound.

Who it's for

Rhythm section musicians at the intermediate level who want to develop vocabulary for jazz comping and soloing while learning the style of one of contemporary big band jazz's most prolific voices. This resource works equally well for individual practice and small group rehearsal.

How to get the most out of it

  • Reference the demo track first to internalize the groove and comping vocabulary before diving into individual practice. Goodwin's rhythmic language is precise, and hearing the ensemble context prevents isolated guessing.
  • Use the tempo adjustment software to lock in the drum part and bass line at a comfortable speed before bringing everything together at performance tempo. The rhythmic relationships in these tunes demand clarity.
  • Study the written sample solos and comping examples as models for your own improvisation rather than memorizing them verbatim. Notice how Goodwin and his players navigate the harmonic and rhythmic architecture of each tune.
  • Practice the play-along tracks with your part removed to develop listening skills and responsiveness to your ensemble partners, not just execution of the written page.

How to use it

Build a jazz ensemble concert around Goodwin's music by pairing this rhythm section collection with horn arrangements from the same series, or use individual tunes as feature pieces for your rhythm section during a broader big band program. For smaller settings, these nine tracks work as a focused recital program on their own.

Skills your students will build

  • Reading and executing written comping patterns and chord symbols in jazz context
  • Understanding bass line construction and counterpoint with piano and drums
  • Playing with swing feel and appropriate rhythmic precision across different groove styles
  • Using written sample solos as models for improvisation and phrasing
  • Listening and responding to ensemble partners during play-along practice
  • Navigating harmonic changes typical of contemporary big band jazz

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