ABBA Forever! Sheet Music Preview

ABBA Forever!: SAB Choral Octavo

Featuring: Fernando / Mamma Mia / Waterloo / Dancing Queen

Words and music by Benny Andersson, Stig Anderson, and Björn Ulvaeus / arr. David Lawrence

Item: 00-PO-0005473

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Description
This choral medley of ABBA songs from the hit musical Mamma Mia! is sure to make your choir want to get up and dance!

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 32
SKU: 00-PO-0005473

More about this title

About the Composer: Benny Andersson

Benny Andersson is one of the founding members of ABBA, the Swedish pop group whose infectious melodies and lush harmonies defined the 1970s and continue to resonate globally. His collaborative songwriting partnership with Björn Ulvaeus, paired with the vocal talents of Agnetha Fältskog and Anni-Frid Lyngstad, produced some of the most memorable pop songs ever recorded.

Beyond ABBA's recording legacy, Andersson composed the music for Mamma Mia!, the stage musical that brought these songs into a new theatrical context. For music educators, his work offers a masterclass in vocal layering, countermelody, and the craft of writing songs that appeal across age groups and skill levels.

Why we love this

This medley captures everything that makes ABBA's catalog so rewarding to sing: clear vocal lines, moments of genuine harmonic color, and rhythms that naturally energize a room. David Lawrence's arrangement respects the original songwriting while making it accessible for three-part mixed choirs, so your singers stay engaged with recognizable melodies rather than fighting complicated voicings.

What to expect

Stepping into a disco fever dream where precision and joy coexist. The medley pulses with momentum, building through its selections in ways that feel both nostalgic and timeless, with bright harmonies that reward listening.

Who it's for

Choirs of mixed ability levels who want to program something current, joyful, and instantly recognizable without sacrificing musicality. This works particularly well for groups seeking a breakout moment in a concert, a pops show, or an end-of-year celebration.

How to get the most out of it

  • Balance the vocal blend carefully during unison passages; ABBA's charm depends on voices locking together cleanly rather than forcing power.
  • Lean into the rhythmic precision that makes these songs feel alive. Tight ensemble work on the offbeat figures transforms rehearsal energy into performance energy.
  • Use recorded accompaniment strategically during early rehearsals to establish tempo and harmonic anchors, then transition to piano or a cappella for intonation work.
  • Shape the medley's transitions intentionally. Brief pauses between songs let the choir breathe and signal to the audience that a new section is beginning.

How to use it

Place this as a concert finale or penultimate selection where you want the audience to leave smiling and the choir to finish with energy. It also anchors a pops or musical theatre themed concert and pairs well with other contemporary or theatrical repertoire.

Skills your students will build

  • Part independence in SAB voicings
  • Rhythmic precision in syncopated rhythms
  • Vocal blend and balance in three-part mixed ensembles
  • Sustaining energy and character across a medley format
  • Connecting with popular music idioms and contemporary diction

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