ABBA Forever!: SATB Choral Octavo
Featuring: Fernando / Mamma Mia / Waterloo / Dancing Queen
Words and music by Benny Andersson, Stig Anderson, and Björn Ulvaeus / arr. David Lawrence
Item: 00-PO-0003113
Minimum order quantity: 20 copies
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More about this title
About the Composer: Benny Andersson
Benny Andersson is one of four members of ABBA, the Swedish pop phenomenon that defined the 1970s and beyond. As keyboardist and composer for the group, Andersson crafted some of pop music's most enduring melodies alongside his songwriting partners. His work with ABBA has introduced generations of listeners to sophisticated pop composition, memorable hooks, and infectious rhythmic arrangements that translate beautifully to choral settings.
Andersson's songs remain staples in choral repertoire because they combine accessibility with genuine musical craft. Directors and singers find his melodies instantly recognizable yet rewarding to perform, making his work ideal for building ensemble confidence and audience engagement.
Why we love this
David Lawrence's arrangement captures the energy and joy of ABBA's catalog without sacrificing the four-part harmony that makes SATB singing rewarding. This medley gives your singers permission to have genuine fun while maintaining musical integrity. Audiences respond with immediate recognition and enthusiasm, making it an invaluable tool for building momentum in a concert or getting a less confident ensemble excited about rehearsal.
What to expect
Infectious, joyful, and built for movement. The arrangement sparkles with those signature ABBA harmonies and rhythmic drive that made their songs impossible to ignore on the radio. Singing this medley feels like the whole room is smiling.
Who it's for
Choirs of intermediate skill level looking for repertoire that energizes both singers and audiences. This works equally well in high school, community, and young adult ensembles where singers appreciate material that feels contemporary and celebratory.
How to get the most out of it
- Lean into the rhythmic vitality of these songs; resist the temptation to make them precious. ABBA's strength lies in forward motion and lift.
- Use the recorded accompaniment to establish tempo and groove in early rehearsals, then gradually build independence within the section parts.
- Balance the soprano line (where many of the iconic melodies live) against the harmonic support from altos and lower voices; the tune should sing out without drowning out the choral blend.
- Treat each song in the medley as its own moment. Mark clear transitions so the ensemble recognizes when you're shifting gears rather than coasting through a continuous block.
How to use it
This medley shines as a set closer, a spring concert highlight, or the anchor of a pop music themed concert. It also works beautifully as the opening number of a cabaret or show tune program, signaling to the audience that the evening will be high-energy and fun.
Skills your students will build
- Singing rhythmically tight lines with syncopation and pop-influenced phrasing
- Balancing individual melodic lines within four-part harmony
- Maintaining clear diction in up-tempo material
- Responding to tempo and groove cues from a recorded accompaniment
- Sustaining musicality and ensemble cohesion across a medley format