A-Wassailing!: SATB Choral Octavo
Traditional English Carol / arr. Chad Weirick
Item: 00-PO-0006400
Minimum order quantity: 20 copies
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About the Arranger: Chad Weirick

Chad Weirick began his music career in New York City, where he worked as organist for Radio City Music Hall and rehearsal pianist for the Rockettes, a role that made him the youngest full-time musician on Broadway at the time. He later performed as pianist for major Broadway productions including "A Chorus Line," "Shenandoah," and "The Act" before pursuing formal composition study at the New England Conservatory of Music, where he earned a master's degree under Malcolm Peyton.
Weirick has built a career as both educator and church musician, serving as Assistant Music Director and accompanist for the Boston Gay Men's Chorus, teaching in the choral department at Wellesley High School, and working as Minister of Music at the First Congregational Church in Hanover, Massachusetts. His choral arrangements have been performed and recorded by choruses across the United States and internationally.
Why we love this
Weirick's arrangement honors the carol's traditional roots while building something entirely fresh through meter shifts and contemporary harmonic language that keeps singers and audiences engaged throughout. The opening alone—that dazzling piano introduction—signals immediately that this is concert-hall territory, not the predictable holiday standard your choir sang last year. Between the technical and musical demands, this piece justifies every extra rehearsal it requires.
What to expect
The opening piano gesture feels almost theatrical, setting a contemporary stage before the choir enters into rich, unexpected harmonies. As the piece unfolds through its meter changes and tonal shifts, it moves between moments of genuine festive exuberance and quieter, more introspective reflection, creating a narrative depth rarely found in holiday repertoire.
Who it's for
This arrangement belongs in the hands of choirs with secure ensemble fundamentals and the rehearsal time to explore its harmonic sophistication and shifting textures. Directors programming a concert-quality holiday set will find this a centerpiece that respects their singers' musicianship while offering genuine novelty to audiences.
How to get the most out of it
- Balance the bright contemporary harmonies by listening carefully to the chordal blend in SATB; the crispness of this arrangement demands precise attacks and releases across all four parts.
- The meter changes work best when your section leaders identify the internal pulse that connects each shift, preventing the piece from feeling disjointed during transitions.
- Use the piano part as an active rehearsal partner during sectionals; the rhythmic energy there will anchor your singers' confidence through the stylistic pivots.
- Mark the reflective sections with intentional lightness in tone and articulation to create genuine contrast with the celebratory passages.
How to use it
Program this as either an opener or a closer for your holiday concert; its sophisticated musical journey earns either position. Pair it with simpler, more traditional carols to highlight its creative voice, or use it as the anchor for an all-contemporary-arrangement holiday set that shows your choir's interpretive range.
Skills your students will build
- Reading and executing meter changes (mixed simple and compound meters)
- Singing complex contemporary harmonies with rhythmic precision
- Responding to stylistic shifts and tonal contrasts within a single piece
- Ensemble balance in thick chordal writing