A Tribute to Judy Garland: SSA Choral Octavo
The Trolley Song / On the Atchison, Topeka and the Santa Fe / Waiting for the Robert E. Lee
[Judy Garland] / arr. John Leavitt
Item: 00-PO-0003741
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More about this title
About the Artist: Judy Garland
Judy Garland (1922-1969) became an iconic voice of American entertainment through her work in film, theater, and recording. Her performances in classic movie musicals defined the genre and established her as one of the most celebrated vocalists of the twentieth century. Her interpretations of standards and popular songs continue to influence singers across all genres and remain central to the American songbook.
Why we love this
John Leavitt's arrangement captures the charm and theatrical energy of Garland's signature transportation songs while keeping the voicing accessible for SSA choirs. These pieces work wonderfully as a set, giving you a thematic program that's instantly recognizable to audiences yet fresh enough to feel like a real discovery in a concert. The combination of nostalgia and genuine musicality makes this both fun to rehearse and satisfying to perform.
What to expect
These pieces sparkle with the optimism and wit of the golden age of movie musicals. Each song moves with purpose and charm, evoking the delightful absurdity of being serenaded by a trolley, a train, and other whimsical modes of transport. The arrangements honor Garland's vocal identity while giving choral singers a chance to inhabit that same theatrical spirit.
Who it's for
Directors programming a concert that spans classic Hollywood to contemporary tastes will find this set bridges generations naturally. SSA choirs looking for secular repertoire with strong personality and immediate audience appeal will connect with this arrangement, and the 16-page format makes it manageable within a larger concert set.
How to get the most out of it
- Lean into the character and storytelling of each song. These pieces thrive when singers commit to the theatrical style that made Garland's versions iconic.
- Balance the blend between the three parts so no voice gets lost in the texture. The harmonic movement needs clarity for the arrangements to land effectively.
- Use the recorded accompaniment to lock in the groove and rhythmic feel, especially in the syncopated passages that give these pieces their energy.
- Shape your dynamics across each section rather than holding one volume level throughout. The transportation theme invites playful crescendos and softer moments that add dimension.
How to use it
This trio works beautifully as a complete three-song set in the middle of a concert, offering a tonal shift that audiences will recognize and enjoy. Consider pairing it with other classic American standards or vintage pop arrangements to build a nostalgic second act, or use it as a palate cleanser between heavier contemporary works.
Skills your students will build
- Phrasing and interpretation of jazz-influenced harmony and rhythm
- Ensemble blend in three-part texture with moving inner voices
- Rhythmic accuracy in syncopated figures characteristic of classic popular song
- Theatrical expression and character commitment in secular choral music