A Song Cover Image

A Song: TTB Choral Octavo

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A Song Cover Image

A Song: TTB Choral Octavo

Words by Paul Laurence Dunbar, music by Vicki Tucker Courtney

Item: 00-39792

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Description
Always expressive and sometimes dramatic, this handsome gem tells a romantic love story as penned by famous African American poet, Paul Laurence Dunbar. Rich with musicality to bring out the softer side of your men.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Song: TTB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081444536
SKU: 00-39792

More about this title

About the Composer: Vicki Tucker Courtney

Vicki Tucker Courtney

Vicki Tucker Courtney began piano study at age four and deepened her musical foundation through choral work and accompaniment during her years at North Texas State University. Her compositional voice has grown across multiple genres and mediums—choirs, solo voice, piano, and handbells—earning her recognition through multiple ASCAP Plus Awards and mentorship from Dove Award winner Mark Hayes in 2002 and 2004.

Courtney's prolific output speaks to her dedication to the craft. By 2009, she had published 100 titles; by 2017, that number exceeded 350. She continues to compose full time while maintaining her work as a piano instructor and church musician in Columbia, Tennessee.

Why we love this

Courtney crafts genuine lyricism for men's voices without sacrificing harmonic sophistication. Her setting of Paul Laurence Dunbar's poetry captures the romantic narrative while allowing for dynamic range and emotional depth that keeps tenors and basses engaged throughout. The result feels both accessible and substantial—music that rehearses well and performs memorably.

What to expect

The music moves between tender and passionate, never settling into a single mood. Courtney's harmonic language is warm and accessible, yet carries enough sophistication to surprise listeners familiar with simpler TTB arrangements. The piece feels genuinely romantic—earnest rather than sentimental.

Who it's for

Directors programming for men's choirs or mixed ensembles who want to showcase the lyricism and emotional capacity of their tenor and bass sections. This octavo works equally well for concert programming, competition, or as part of a thematic exploration of African American poetry in vocal literature.

How to get the most out of it

  • Shape phrases around Dunbar's poetic line rather than harmonic cadences. Let the text breathing guide your phrasing choices, which often reveal unexpected places to release tension.
  • Balance the parts carefully in the middle sections where inner voices carry harmonic color. This prevents the piece from sounding thin when the melodic line sits on the tenors.
  • Explore dynamic contrast between the quieter, introspective moments and the more dramatic passages. The piece asks for genuine emotional range from your singers.

How to use it

Pair this with other selections featuring African American poets or composers to build a meaningful concert arc that addresses literary and cultural significance. Its eight pages allow for programming flexibility; it works as a centerpiece for a men's choir concert or as a contrasting lyrical moment within a larger mixed ensemble program.

Skills your students will build

  • Shaping phrased lines through text-based expression rather than mechanical phrasing
  • Balancing four-part writing where inner voices carry essential harmonic content
  • Singing with dynamic and emotional range within a romantic narrative arc

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