A Scottish Riddle Cover Image

A Scottish Riddle: 2-Part Choral Octavo

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A Scottish Riddle Cover Image

A Scottish Riddle: 2-Part Choral Octavo

Words and music by Mary Donnelly and George L. O. Strid

Item: 00-51517

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Description
"Oh good heavens, so many sevens!" You don't need a calculator to enjoy this humorous piece, inspired by a nursery rhyme. Featuring independent voice parts and back-and-forth singing, this number-crunching novelty travels swiftly through different keys and tempos for dramatic effect. And even if you lose count along the way, on the last page, the riddle is solved!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081590172
SKU: 00-51517

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and studied English and French at the University of Nevada before discovering her calling in music education. While still an undergraduate, she co-founded two children's choruses, an experience that led her back to school for music certification. She earned a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, where she focused on integrating the arts across the curriculum.

Donnelly spent thirty years teaching general music and choir in the Washoe County School District, retiring as an active member of ACDA, NEA, and ASCAP. In 1985, she and George L. O. Strid began collaborating on a musical for Reading Week during a sixth-grade team-teaching assignment. That partnership has since produced over two hundred songs and twenty-five musicals. She and her husband Rich continue to live in Reno.

Why we love this

This piece captures something rare: genuine humor that lands with young singers and audiences alike, without winking at either. The mathematical riddle frame gives students permission to have fun while navigating independent parts and shifting keys, and the payoff on the final page rewards their attention. A novelty that actually teaches musicianship.

What to expect

Playful and brisk, with the feeling of solving a puzzle set to music. The piece has a whimsical, almost vaudeville energy as it bounces between tempos and keys, building anticipation toward the moment when the riddle finally resolves.

Who it's for

Two-part choirs working with middle school singers or younger high school voices will find this piece accessible yet engaging. It works equally well for recreational choir programs seeking concert material that entertains without sacrificing musical substance.

How to get the most out of it

  • Anchor the rhythmic momentum during the key changes by maintaining consistent pulse in the rehearsals leading up to each modulation; once students feel secure in the new tonality, the dramatic effect lands much harder.
  • Balance the back-and-forth sections by having singers listen actively to the other part rather than focusing solely on their own line; this interdependence sharpens rhythmic clarity and creates conversational snap.
  • If using the recorded accompaniment, rehearse with it frequently enough that students stop thinking of it as external support and start singing through it as a unified ensemble.

How to use it

Program this early in a concert to set a light tone, or use it as a palate cleanser between weightier selections. The novelty appeal and narrative arc make it memorable enough to close a shorter program on a laugh.

Skills your students will build

  • Singing independent melodic lines in two-part texture
  • Navigating key changes and tempo shifts
  • Executing call-and-response singing with rhythmic precision
  • Coordinating ensemble entrances and cutoffs
  • Sustaining musical energy through humorous text and imagery

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