A Rhyme in Time Cover Image

A Rhyme in Time: Book

$14.95 USD
Sale price  $14.95 USD Regular price 
Skip to product information
A Rhyme in Time Cover Image

A Rhyme in Time: Book

Rhythm, Speech Activities, and Improvisation for the Classroom

By Doug Goodkin

Level: Elementary

Item: 00-BMR08006

$14.95
Shipped

One moment…

Description
A well-rounded collection of language, movement, and music activities for grades K--8. The pieces integrate well with language arts programs; the rhymes and poems build a foundation for rhythm, phrase, and form. With a developmental process based on the Orff-Schulwerk, each lesson is designed with an open structure that makes them adaptable to the skill level of any group. Includes: One-Two, Tie My Shoe * Wee Willie Winkie * Baté Baté Chocolate * Tantos Rios * Second Story Window * Whoops! Johnny * Two Little Blackbirds and many more.

A Rhyme in Time: Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7692-1512-2
ISBN13: 978-0-7692-1512-9
UPC: 029156669541
SKU: 00-BMR08006

More about this title

About the Composer: Doug Goodkin

Doug Goodkin

Doug Goodkin has spent nearly five decades teaching music and movement to young learners at The San Francisco School, where he began his career in 1975. His influence extends globally; he has conducted Orff-Schulwerk training and demonstrations across six continents and more than 35 countries, establishing himself as one of the most respected voices in contemporary Orff pedagogy.

Beyond the classroom, Goodkin has authored seven books and numerous articles exploring the intersection of Orff philosophy with jazz, world music traditions, language arts integration, and social connection. He directs the San Francisco Orff Course and leads his own summer intensives on jazz and Orff practice, making him a central figure in expanding how Orff methodology serves diverse musical and cultural contexts.

Why we love this

This collection bridges the gap between language arts and music in a way that feels natural, not forced. The pieces grow organically from nursery rhymes, folk texts, and multicultural poetry, giving students real words to own before they encounter abstract notation. Goodkin's Orff-Schulwerk foundation means every activity respects developmental stages while remaining open enough to challenge advanced ensembles, making it genuinely adaptable across grade levels.

What to expect

These pieces have the joyful directness of playground chants and folk traditions. There's no artifice; instead, you get honest rhythms tied to language you can speak, sing, and move with simultaneously. The result feels like discovery rather than instruction, with room for laughter, variation, and genuine musical choice.

Who it's for

Classroom teachers integrating music with language arts, music specialists in elementary settings, and Orff instructors seeking developmentally coherent collections. The material works equally well for mixed-age groups, self-contained classrooms, and dedicated music periods, from kindergarten through middle school.

How to get the most out of it

  • Start with the spoken or sung rhyme before introducing instruments; let students internalize the language rhythms first so the instrumental parts become a natural extension rather than an overlay.
  • Use the open lesson structure to build activities layer by layer. Begin with body percussion or vocal lines, add unpitched percussion, then introduce barred instruments only when students demonstrate secure rhythm and phrasing.
  • Honor silence and space between phrases. These pieces gain clarity and musicality when students resist rushing; their natural language rhythm will emerge if given room to breathe.
  • Encourage exploration of different ostinato patterns and accompaniment textures with the same rhyme. The developmental approach means students can revisit pieces at deeper levels throughout the year.

How to use it

Use this as your core resource for K-2 music integration or as a supplement to any elementary music curriculum where language arts connections matter. The pieces work beautifully in parent demonstrations, school assemblies, or evening music programs because the rhyme-based structure makes them accessible to audiences of any age. Weave activities throughout the year as warm-ups or transitions, or build entire units around individual pieces to deepen both musical and literacy skills.

Skills your students will build

  • Understanding relationships between language rhythm and musical pulse
  • Creating and performing ostinato patterns in ensemble settings
  • Identifying phrase structure through spoken and sung text
  • Developing steady beat independence in mixed instrumental groups
  • Exploring form through repetition, variation, and call-and-response
  • Building cross-cultural musical literacy through world music traditions
  • Coordinating body percussion, voice, and barred instruments simultaneously

You May Also Like