A Place Like Home (A Holiday Wish): SAB Choral Octavo
Words and music by Sally K. Albrecht and Jay Althouse
Item: 00-PO-0000575
Minimum order quantity: 20 copies
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More about this title
About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over thirty years, first as Director of School Choral, Vocal, and Elementary Publications at Alfred Music and through her prolific output of over 600 published works. A conductor and clinician with deep expertise in movement-integrated choral performance, she has led honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Since 1987, she has received the ASCAP Special Music Award annually, a testament to her consistent creative voice in the field.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College. Her leadership extends beyond composition; she served as Chair of the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received their Pillar of Leadership award. In 2021, both the University of Miami Frost School of Music and Rollins College recognized her with Distinguished Alumna Awards. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.
Why we love this
This piece captures the specific emotional truth of the holidays for singers separated from loved ones, turning potential melancholy into an act of connection and hope. The SAB voicing sits comfortably across mixed ensembles while the straightforward text gives every voice a moment to shine. Directors will appreciate how the song's gentle sincerity avoids sentimentality, making it equally suitable for holiday concerts or community services.
What to expect
Warm and reflective, this song has the quality of a tender letter set to music. Rather than the bombast sometimes associated with holiday fare, it settles into a quiet conviction that even distance cannot diminish belonging. The arrangement honors both the vulnerability in the message and the strength it takes to voice it.
Who it's for
This octavo works for mixed choirs (especially those with limited bass sections) seeking a meaningful holiday offering that acknowledges the bittersweet reality of separated families. Community choirs, church ensembles, and high school groups will find the SAB voicing accessible, while the emotional maturity of the text rewards singers of any age.
How to get the most out of it
- Balance the melody so it carries the emotional weight without overwhelming the supporting voices; SAB writing allows lower voices to anchor without getting buried.
- Take time with the text delivery in rehearsal. This song's power lives in the earnestness of the message, so singers need to understand and commit to what they're wishing for their absent friends and family.
- If using the recorded accompaniment, ensure your tempos align with it early in rehearsals so the piece feels naturally paced rather than rushed or dragging.
- Consider subtle movement or stillness that reflects the introspective quality of the piece; sometimes less is more with songs this intimate.
How to use it
Program this as a moment of genuine pause in a holiday concert, perhaps early in the second half when the audience is most receptive to something quieter and more introspective. It pairs naturally alongside other secular holiday selections or contemporary arrangements; its specificity about connection also makes it ideal for services, military family events, or any concert where the theme of solidarity matters.
Skills your students will build
- Sustained legato singing across longer phrases
- Balancing three-part harmony without independent voice doubling
- Emotional authenticity in delivery (connecting text to musical line)
- Choral blend in SAB configurations with varying voice strengths
- Ensemble intonation across spread voicings