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A Patriotic Salute: SAB Choral Octavo

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A Patriotic Salute Cover Image

A Patriotic Salute: SAB Choral Octavo

The Yankee Doodle Boy / You're a Grand Old Flag

Arr. Sally K. Albrecht

Item: 00-18651

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Description
A tribute to George M. Cohan combining two of his most famous songs. For an even greater patriotic feel, the kazoos hum "Yankee Doodle" and "The Stars and Stripes Forever." And there's more: a "Fourth of July" style SoundTrax CD or a full-fledged concert band accompaniment. Parts for orchestral accompaniment available for rent. Go to presser.com/request-rental.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Patriotic Salute: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081172910
SKU: 00-18651

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, first as Director of School Choral and Vocal Publications at major educational publishers, most recently Alfred Music, and continuing as one of the field's most prolific composers. Her catalog includes more than 600 choral works and 75 larger theatrical pieces, all while maintaining an active career as a conductor and clinician at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. She has been recognized annually by ASCAP for her contributions since 1987.

Educated at Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, M.M. in Accompanying), Albrecht brings a distinctive theatrical sensibility to her choral writing. Her work with movement and staging has become a hallmark of her style. She has taught at Oakland University, Jersey City State College, and Meredith College, and in 2021 received the Distinguished Alumna Award from both her undergraduate and graduate institutions.

Why we love this

Albrecht's knack for weaving multiple melodies into a cohesive whole shines in this medley, where Cohan's patriotic standards fit together with genuine musical logic rather than feeling stitched together. The staged movement options and optional kazoo parts turn what could be a straightforward patriotic number into something your students will actually want to perform. Offering both a recorded accompaniment and a full concert band option means you can make this work whether you're a small program or running a full summer pops concert.

What to expect

Bright, spirited, and nostalgic all at once. The piece captures Cohan's gift for memorable melody and straightforward emotional honesty, delivered with the kind of unbridled energy that makes audiences smile and clap along. There's pageantry here, but it never tips into kitsch.

Who it's for

Middle school through adult community choirs looking for a summer concert or patriotic program piece that entertains without being condescending. The SAB voicing and 16-page length make it manageable for developing singers, while the staging and orchestral options appeal to directors who want flexibility and production value.

How to get the most out of it

  • Balance the SAB voicing carefully in rehearsal; if your altos are thin, double them in the upper line during the tutti sections to maintain blend across all three parts.
  • Lean into the theatrical elements early. Even simple blocking and movement transforms the energy and gives students a reason to care about precision and ensemble cohesion.
  • If you're using the kazoo parts, assign them strategically to students with solid pitch sense and secure rhythm, as they'll be carrying recognizable tunes that audiences will notice if undercut.

How to use it

Program this as a closer or near-closer for a summer pops concert, a Fourth of July community event, or a patriotic-themed program. It pairs well with other American standards and lighter repertoire, and its theatrical options make it ideal for a concert with choreography or simple staging already in the works.

Skills your students will build

  • Balancing three-part voicing with clear diction across a medley structure
  • Coordinating singing with movement and blocking
  • Sustaining energy and precision through repeated, singable melodic lines
  • Responding to optional instrumental accompaniment formats (recorded, band, or concert arrangement)

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