A Most Wonderful Christmas: Full Orchestra Conductor Score & Parts
Featuring: Winter Wonderland / I'll Be Home for Christmas / Santa Claus Is Comin' to Town / Have Yourself a Merry Little Christmas / It's the Most Wonderful Time of the Year
Arr. Robert Sheldon
Grade: 4
Item: 00-PK-0005918
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About the Arranger: Robert Sheldon

Robert Sheldon's arrangements and compositions appear on stages and contest lists worldwide, performed by ensembles at every level. His work in wind band and orchestral music has earned recognition from the American School Band Directors Association, Phi Beta Mu, and ASCAP, reflecting compositions that connect deeply with both performers and listeners.
Sheldon maintains an active schedule as a guest conductor for honor bands and clinician at universities and state music education conferences across the United States and internationally, including Japan, Canada, Italy, Germany, Australia, and China. His works have been performed at Carnegie Hall, Orchestra Hall in Chicago, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. VanderCook College of Music awarded him an honorary doctorate in 2020.
Why we love this
Sheldon's gift for orchestration shines here: he layers five beloved Christmas standards into a single, cohesive medley that never feels cramped or rushed. The cross-cued solos give your strongest players meaningful moments while keeping the arrangement accessible to the ensemble as a whole, and the swing and jazz-inspired sections inject genuine style into what could have been a straightforward holiday program piece.
What to expect
Warm, stylish, and celebratory. The arrangement honors each carol's melodic essence while dressing them in contemporary jazz and swing colors that keep the music moving and engaging. Your audience will recognize every tune instantly, but they'll hear them with a sophistication and energy that feels both festive and genuinely musical.
Who it's for
Directors preparing a full orchestra or combined band and orchestra concert who want a high-impact holiday centerpiece that respects their audience's familiarity with these carols while delivering fresh arrangements. This works equally well for holiday pops concerts, winter assemblies, or as a finale to a traditional classical program.
How to get the most out of it
- Identify your featured soloists early and highlight their cross-cued passages during sectional rehearsals so those moments feel intentional and polished rather than optional.
- The swing sections require rhythmic precision and a relaxed feel from the rhythm section; work on that groove separately before integrating it with the full ensemble.
- Balance the medley's transitions carefully so each carol lands clearly before the next one arrives; this prevents the arrangement from feeling like it's rushing through a checklist.
- Use the recorded accompaniment as a reference for tempo and style consistency, especially in the ballad sections where the swing feel could shift unexpectedly.
How to use it
Position this as the finale or closing piece of a holiday concert; it works as both a crowd-pleaser and a legitimate artistic statement that doesn't sacrifice musicianship for sentiment. The eight-and-a-half minute duration gives you a substantial anchor to build programming around, and its combination of familiar melodies and jazz-inflected writing appeals to audiences who might not regularly attend orchestra concerts.
Skills your students will build
- Balancing solo lines with ensemble accompaniment
- Executing swing rhythms and jazz articulation in an orchestral context
- Transitioning smoothly between contrasting tempos and styles within a single work
- Responding to cross-cued passages and maintaining awareness of multiple musical lines
- Sustaining musical energy and control through an extended medley without losing focus