A Lot of Livin' to Do Cover Image

A Lot of Livin' to Do: SATB Choral Octavo

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A Lot of Livin' to Do Cover Image

A Lot of Livin' to Do: SATB Choral Octavo

From the Musical Bye, Bye, Birdie

Music by Charles Strouse, lyric by Lee Adams / arr. Greg Gilpin

Item: 00-43514

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Description
Show and concert choirs will both sound great singing this upbeat production number from the musical Bye, Bye, Birdie. Exciting from start to finish!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Lot of Livin' to Do: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081490540
SKU: 00-43514

More about this title

About the Composer: Charles Strouse

Charles Strouse composed the scores for some of Broadway's most enduring musicals, including Bye, Bye, Birdie (1960), Annie (1977), and Applause (1970). His gift for writing melodies that stick with audiences while remaining sophisticated enough for serious musicians made him a singular force in American musical theater. Strouse's work has been performed in schools, community theaters, and professional venues worldwide, introducing generations of young singers to the craft of musical theater composition.

Why we love this

This arrangement captures the infectious energy of the original without losing the theatrical polish that makes Bye, Bye, Birdie so rewarding to perform. Greg Gilpin's voicing balances accessibility with musical interest, giving every voice part something engaging to sing while keeping the piece playable for choirs at various levels of experience. The upbeat character and strong melodic writing make it a concert winner that audiences genuinely enjoy hearing.

What to expect

Optimistic and propulsive, with the swagger of a young character full of dreams and confidence. The music practically bounces off the page, driven by steady rhythmic energy and a melody that feels instantly singable yet sophisticated enough to hold a listener's attention.

Who it's for

Show choirs and concert choirs looking for a dependable, musically satisfying production number that works for performances, competitions, and concerts alike. This arrangement suits choirs with intermediate to advanced singers who can handle the style and rhythmic demands of Broadway idiom.

How to get the most out of it

  • Keep the tempo crisp and maintain rhythmic precision in the ensemble, especially during the syncopated passages that give the piece its characteristic Broadway style.
  • Shape the phrases with clear dynamic arcs; avoid letting the excitement flatten into one dynamic level, even though the overall character is bright.
  • Balance the parts so the melody always emerges clearly, whether it sits in the sopranos or moves among voice sections.
  • Use the recorded accompaniment to lock in the groove and timing, particularly helpful during full ensemble moments.

How to use it

Program this as a concert centerpiece or as part of a Broadway-themed show. It works equally well as a standalone feature or paired with other Strouse selections or related musical theater repertoire to create a cohesive program segment.

Skills your students will build

  • Broadway style and idiom
  • Ensemble balance in syncopated rhythm patterns
  • Singing with theatrical clarity and forward energy
  • Part independence within a homophonic texture

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