A la Media Noche Cover Image

A la Media Noche: 3-Part Mixed Choral Octavo

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A la Media Noche Cover Image

A la Media Noche: 3-Part Mixed Choral Octavo

(At the Hour of Midnight)

Traditional Puerto Rican Carol / arr. Greg Gilpin

Item: 00-45390

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Description
Add some multicultural flair to holiday concerts with this lively arrangement of the Puerto Rican Christmas carol! The playful "la la" section and syncopated verses come even more alive with the addition of handclaps and percussion ostinati. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A la Media Noche: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081511306
SKU: 00-45390

More about this title

About the Arranger: Greg Gilpin

Greg Gilpin

Greg Gilpin is an ASCAP award-winning choral composer and arranger whose work spans concert halls from Carnegie Hall and Lincoln Center in New York to Ryman Auditorium in Nashville, the Sydney Opera House, Royal Festival Hall in London, and Harpa Concert Hall in Reykjavik. He serves as Director of Educational Choral Publications for Shawnee Press and has established himself as a respected choral conductor known for leading performances at some of the world's most prestigious venues.

Beyond his contributions to choral music, Gilpin has expanded his professional practice into film scoring and organizational consulting. In 2021, he composed the award-winning score for the short film "Rosie's Rescue," and he collaborated with opera singer Angela Brown to create the world premiere of a new arrangement of "What Child is This?" with the Indianapolis Symphonic Choir. Gilpin holds memberships in ACDA, NAfME, SAG-AFTRA, and is a Life Loyal Member of Phi Mu Alpha Sinfonia.

Why we love this

Gilpin's gift for balancing authenticity with accessibility shines here. The arrangement respects the traditional Puerto Rican carol while making it immediately engaging for mixed ensembles, and the optional hand claps and percussion create natural entry points for directors who want to energize their holiday programming without sacrificing musical substance.

What to expect

A festive celebration that bounces with joy and syncopation. The playful "la la" sections create an infectious, almost dancelike quality, while the percussion and hand claps anchor the whole experience in a rhythmic groove that feels both sophisticated and instantly fun to sing.

Who it's for

Directors programming holiday concerts who want to move beyond standard winter fare and offer singers an arrangement rooted in genuine cultural tradition. This works equally well for middle school choirs discovering Latin music and adult community ensembles seeking fresh seasonal material with rhythmic vitality.

How to get the most out of it

  • Bring clarity to the syncopated sections by isolating them in rehearsal before adding the full texture; the rhythm sits differently in mixed voices and benefits from precise alignment.
  • Encourage singers to feel the pulse of the hand claps as a rhythmic anchor, especially when the melody dances around the beat.
  • If you add percussion ostinati, have those players rehearse separately with a strong click track first, then integrate them once the choir has locked the harmony and rhythm.
  • The "la la" sections invite lightness and lift; resist the urge to oversing these moments, which will let the Latin flavor and ensemble sparkle come through.

How to use it

Position this as a standalone moment of cultural brightness in your holiday concert, or pair it with other Latin or world music selections to create a thematic set. The rhythmic energy makes it an excellent bridge between more formal seasonal repertoire and lighter closing numbers.

Skills your students will build

  • Syncopation in 3-part mixed voicing
  • Rhythmic precision with optional percussion and hand clap parts
  • Singing in Spanish with authentic Latin phrasing
  • Maintaining ensemble cohesion across complex rhythmic patterns

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