A Klezmer Wedding Cover Image

A Klezmer Wedding: Woodwind Quartet Conductor Score & Parts

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A Klezmer Wedding Cover Image

A Klezmer Wedding: Woodwind Quartet Conductor Score & Parts

Edition for Woodwinds

By Mike Curtis

Item: 01-ADV8405

$26.95
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Description
A Klezmer Wedding is a set of four dances, newly-composed but based on traditional models. "The Doina" is an expressive chant for three successive soloists; it twists and turns with the wailing lament of a shepherd's pipe. Next follows the "Hora," a slow Rumanian dance in three with a mood that reflects the wedding's solemn vows. "A Chusidl," with a moderate speed and bouncy rhythms, gets the party to the dance floor. The concluding "Freylach" (happy, but still in a minor key!) takes the bride, groom, and guests to the edge of frenzy.

Titles: Doina * Hora * Chusidl * Freylach.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095084054
SKU: 01-ADV8405
Instrumentation: Flute, Oboe, Clarinet, Bassoon

More about this title

Why we love this

Curtis grounds these four dances in authentic klezmer tradition while composing fresh material that avoids pastiche. The writing for woodwind quartet captures the genre's characteristic ornamentation and expressive depth, giving each player moments to shine as soloist and ensemble member alike. Programming this set offers your students exposure to Jewish musical heritage and a coherent arc from intimate lament to ecstatic celebration.

What to expect

The Doina opens with the intimate wail of a solitary shepherd, each new voice taking up the conversation as if answering an ancient call. As you move through the solemn Hora, the bouncy Chusidl, and the celebratory frenzy of the Freylach, you feel the arc of a real wedding unfolding, moving from reflection through ritual to joy that borders on wild abandon.

Who it's for

Woodwind quartet players at the intermediate level and beyond who are ready for music that demands expressive maturity and cultural understanding. This works equally well for concert programming, educational outreach about Jewish music traditions, or special events requiring repertoire with genuine wedding significance.

How to get the most out of it

  • Treat the three successive soloists in The Doina as distinct characters within a single lamenting voice; encourage each player to shape their solo with slight rhythmic rubato and emotional ownership.
  • Balance the Hora's three-beat meter against its wedding solemnity; the slow tempo demands singers' breath control and phrase shaping rather than metronomic precision.
  • Use A Chusidl's bouncy rhythms to tighten ensemble articulation and rhythmic unity; the moderate tempo makes rhythmic coordination audible and rewarding to lock in.
  • Build intensity through the Freylach by gradually loosening ensemble rigidity; allow the minor-key celebration its slightly frenzied edge without sacrificing intonation or clarity.

How to use it

Program this as a standalone suite in a concert celebrating world music traditions, or use it as the centerpiece of a themed chamber concert exploring Jewish musical heritage. The four-movement structure and variety of moods also make it effective as an opener that sets a distinctive artistic tone for the entire program.

Skills your students will build

  • Ornamentation and rubato in modal melodic contexts
  • Solo playing with expressive phrasing and lament-like character
  • Rhythmic precision in syncopated and dotted figures
  • Intonation control in modal and minor-key harmony
  • Ensemble blend across four distinct timbres
  • Cultural listening and stylistic authenticity in non-Western music traditions

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