A Klezmer Wedding Cover Image

A Klezmer Wedding: 4 Clarinets (3 Clarinets in B-flat & Bass Clarinet) Conductor Score & Parts

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A Klezmer Wedding Cover Image

A Klezmer Wedding: 4 Clarinets (3 Clarinets in B-flat & Bass Clarinet) Conductor Score & Parts

Edition for Clarinets

By Mike Curtis

Item: 01-ADV8406

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Description
A Klezmer Wedding by Mike Curtis is a set of four dances, newly-composed but based on traditional models. "The Doina" is an expressive chant for three successive soloists; it twists and turns with the wailing lament of a shepherd's pipe. Next follows the "Hora," a slow Rumanian dance in three with a mood that reflects the wedding's solemn vows. "A Chusidl," with a moderate speed and bouncy rhythms, gets the party to the dance floor. The concluding "Freylach" (happy, but still in a minor key) takes the bride, groom, and guests to the edge of frenzy.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095084061
SKU: 01-ADV8406
Instrumentation: 4 Clarinets (3 Clarinets in B-flat & Bass Clarinet)

More about this title

Why we love this

Curtis captures the emotional arc of a klezmer celebration with genuine musical substance. Each movement builds on folk traditions while remaining accessible to intermediate clarinet quartets, and the progression from intimate solo statements through communal dance creates a natural and satisfying narrative arc.

What to expect

A narrative arc that moves from intimate, ornamental lament through ceremonial solemnity and into unbridled celebration. The writing captures the wailing, microtonal character of klezmer style while remaining playable by clarinet ensembles, creating moments of genuine beauty alongside pure joy.

Who it's for

Intermediate to advanced clarinet quartets seeking a substantial piece that celebrates jewish folk traditions without requiring extensive klezmer performance experience. Directors programming multicultural repertoire or special occasion performances will find this suite both musically rewarding and accessible.

How to get the most out of it

  • Treat the three Doina soloists as conversation partners rather than isolated voices. Each clarinetist should listen closely to the previous soloist's phrasing and ornaments, then offer their own interpretation before passing the melody forward.
  • Balance the middle voices in the Hora carefully; the supporting clarinets need enough presence to anchor the harmonic movement without overpowering the primary melody line.
  • Lean into the rhythmic bounce of A Chusidl with slight forward motion in the accompaniment figures, letting the top line breathe above a propulsive foundation.
  • In the Freylach, embrace the minor-key exuberance by allowing tempo flexibility in passages marked with flourishes; controlled accelerations and slight ritardandos heighten the sense of gathering energy.

How to use it

This works beautifully as a concert centerpiece or as part of a cultural celebration program. It can stand alone as a four-movement suite or be paired with other world music or folk-based repertoire to create a thematic concert block.

Skills your students will build

  • Ornamentation and expressive phrasing in a non-classical idiom
  • Ensemble balance across four distinct voices in close harmony
  • Reading asymmetrical phrase lengths and unexpected metric resolutions
  • Stylistic adaptation of minor-key minor tonality with contemporary compositional language
  • Solo feature performance within an ensemble context

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