A Hanukkah Wish: 3-Part Mixed Choral Octavo
With "Maoz Tzur"
Words and music by Andy Beck
Item: 00-PO-0001874
Minimum order quantity: 20 copies
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications for Alfred Music and has composed and arranged over 450 works for choir, voice, and children's theatre. His output spans vocal pedagogies (Sing at First Sight, Foundations in Choral Sight Singing, Vocalize! 45 Vocal Warm-Ups That Teach Technique) and original compositions performed by singers across the globe. He holds degrees in Music Education from Ithaca College and Northwest Missouri State University.
Beyond the page, Beck works as a guest conductor, clinician, and adjudicator throughout the United States and abroad. He has conducted honor choirs at all levels, including all-state ensembles across the Southeast. A tenor himself, he performs with the North Carolina Master Chorale Chamber Choir and has been an Alfred Music studio singer since 1992, bringing direct performance experience to every piece he publishes.
Why we love this
Beck sidesteps the predictable here. Rather than reaching for minor keys or rhythmic clichés, he crafts a genuine ballad with emotional weight and contemporary musical language. The inclusion of a traditional Hebrew melody reimagined in a fresh harmonic context gives the piece cultural authenticity without sacrificing accessibility for mixed choirs.
What to expect
A tender reflection on continuity and belonging. The piece breathes with restraint, letting silence and space do as much work as the notes themselves. When the traditional melody arrives, it feels like an heirloom brought into the present moment, and the final key change transforms sentimentality into quiet conviction.
Who it's for
Intermediate to advanced mixed choirs seeking a Hanukkah selection with real substance. This works for middle school through adult ensembles and fits programming where a moment of quiet reverence balances more spirited seasonal fare.
How to get the most out of it
- Shape the opening phrase with subtle dynamic swells; avoid letting the warmth flatten into a monotone delivery.
- The modulation before the final refrain needs confident ensemble awareness. Mark the key change clearly in rehearsal and let singers feel the dramatic lift rather than rushing through it.
- Balance the traditional Hebrew melody with your overall blend. It should feel like a musical memory surfacing, not a sudden genre shift.
How to use it
Pair this as a centerpiece of a Hanukkah concert or winter program that honors multiple traditions. Its ballad-like intimacy makes it an excellent closer or a poignant bookend between more energetic selections. Consider positioning it where the audience can sit with the message rather than rushing into applause.
Skills your students will build
- Singing with legit tone in a ballad style (avoiding choral belt or overly bright production)
- Executing a dramatic key change with ensemble unity
- Interpreting contemporary arrangements of traditional Jewish musical material
- Balancing independence (individual melodic lines) with choral blend across three parts