A Festive Christmas Trilogy Cover Image

A Festive Christmas Trilogy: SoundTrax Digital Audio Download

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A Festive Christmas Trilogy Cover Image

A Festive Christmas Trilogy: SoundTrax Digital Audio Download

Ding Dong! Merrily on High * Deck the Hall * Jingle Bells

Arr. Mark Hayes

Item: 00-A-00016046

$29.99
Digital Download
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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00016046

More about this title

About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes has established himself as a prolific arranger and composer with over 1,750 published works across multiple genres and ensembles. His formal training includes a summa cum laude degree in Piano Performance from Baylor University, and his career has spanned concert performance, composition, orchestration, and conducting at venues including Lincoln Center, Carnegie Hall, and the National Cathedral. In 2010, Baylor University recognized his contributions to Christian music with an Award for Exemplary Leadership.

Beyond his sacred music commissions and premieres (including his Requiem at Lincoln Center and the Vatican), Hayes has worked extensively in musical theater, orchestrating and arranging for productions across multiple continents. His catalog reflects equal facility with piano, choral literature, orchestration, and popular music idioms. Based in Kansas City, Missouri, he continues to balance concert appearances and compositional work with a sustained commitment to creating accessible music for performers of all levels.

Why we love this

Hayes brings sophisticated arranging craft to holiday choral repertoire without sacrificing singability or joy. The trilogy structure gives directors flexibility to program complete storytelling or select movements as individual concert moments, and the inclusion of recorded accompaniments and instrumental parts makes this genuinely practical for groups without piano accompaniment resources.

What to expect

Warmth and celebration without sentimentality. Hayes's arrangements sparkle with harmonic color and rhythmic energy, creating the feeling of a well-orchestrated holiday gathering where every voice has something genuine to sing. The trilogy structure builds from opening brightness to deepening festive reflection, leaving singers and listeners energized but satisfied.

Who it's for

This works for choirs of mixed abilities seeking a substantial holiday offering that sounds polished and festive without requiring soloists or unusually high tessituras. It suits groups programming a full concert or those building a compact, memorable closer that audience members will actually remember after the holidays end.

How to get the most out of it

  • Reference the recorded accompaniment during rehearsals to nail entrances and shape phrases, especially where the festive orchestration carries rhythmic or harmonic density that might otherwise trip up your ensemble.
  • Balance the independence of voice parts against the arrangement's overall harmonic wash; Hayes writes counterpoint that breathes, so resist the urge to blend individual lines into undifferentiated texture.
  • Use the instrumental parts strategically in rehearsal to clarify harmonic foundation for singers learning their parts, then gradually remove them as confidence builds toward performance.

How to use it

Program the complete trilogy as your concert closer for maximum impact, or select individual movements as opener, middle work, or encore depending on the emotional arc of your concert. The variety across the three pieces makes it particularly valuable for groups programming mixed-genre holiday events or those needing a showstopper that doesn't lean on overly familiar arrangements.

Skills your students will build

  • Voice leading and independence across four parts in contemporary harmonic language
  • Phrasing and shaping in rhythmically active, text-driven arrangements
  • Intonation in major and minor modal areas with sophisticated chord substitutions
  • Listening for and balancing against instrumental accompaniment textures

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