A Festive Christmas Trilogy Cover Image

A Festive Christmas Trilogy: Choral SoundPax

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A Festive Christmas Trilogy Cover Image

A Festive Christmas Trilogy: Choral SoundPax

Ding Dong! Merrily on High * Deck the Hall * Jingle Bells

Arr. Mark Hayes

Item: 00-51224

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Description
The first 45 seconds provide a collage overview of what's to come, as arranger Mark Hayes sets the stage for this magnificent four-minute Christmas fanfare. Enjoy the glorious strains of "Ding Dong! Merrily on High," the cheerful fa-la-la's of "Deck the Hall," and a rollicking rendition of "Jingle Bells." Then just before the big finish, singers recap all three for an impressive finale! Assemble brass and percussion to perform with the superb SoundPax.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081582634
SKU: 00-51224

More about this title

About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes has established himself as a prolific arranger and composer whose catalog exceeds 1,750 published works across sacred and secular genres. Educated at Baylor University with a degree in piano performance, Hayes has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, and his compositions have been premiered and performed internationally from Rome to Hong Kong.

Beyond his choral work, Hayes is an accomplished pianist, orchestrator, and record producer whose output spans gospel, classical, jazz, and musical theater. His contributions to choral music have earned him recognition including the 2010 Award for Exemplary Leadership in Christian Music from Baylor University's Center for Christian Music Studies.

Why we love this

Mark Hayes understands how to build excitement in an arrangement without sacrificing musicality. The opening collage instantly hooks your audience, then the interweaving of three beloved carols gives singers memorable material while keeping energy high throughout the four-minute arc. The finale, where all three tunes layer together, delivers the kind of moment that makes audiences lean forward.

What to expect

Festive, bright, and generous. Hayes layers familiar carols into a four-minute journey that feels both reverent and joyful, with moments of pure musical exuberance, especially in the cascading finale where all three melodies sing together. The opening preview creates anticipation, and the arrangement rewards singers with genuinely fun material to perform.

Who it's for

Choirs of mixed ages and abilities looking for a high-impact closer that feels celebratory without requiring extensive rehearsal time. This works equally well for community choirs, church ensembles, and school programs seeking secular holiday repertoire with instant audience appeal.

How to get the most out of it

  • Balance the three carol melodies carefully during the finale so each remains identifiable rather than blending into a muddy texture; assign strategic dynamic priorities to whichever voice part carries the primary tune at each moment.
  • Coordinate closely with your brass and percussion players during rehearsal to ensure their entrances lock with the choir's rhythmic energy; the instrumental parts are essential to the festive character Hayes built into this arrangement.
  • Use the recorded accompaniment during early rehearsals to establish tempos and harmonic contexts, then gradually transition to live instrumental support as the choir gains confidence.
  • Shape the opening 45-second collage with clear phrase breaks and purposeful tempo to establish anticipation; treat it as a preview that promises the full celebration to follow.

How to use it

Program this as your closer to send the audience home in good spirits, or use it as an opener if you want to establish an immediately uplifting tone for a holiday concert. The four-minute length and strong ending make it ideal for either position, and its accessibility means it won't strain rehearsal schedules during busy season.

Skills your students will build

  • Singing multiple melodic lines simultaneously while maintaining clarity of individual voice parts
  • Balancing ensemble sound across four different harmonic contexts
  • Responding to instrumental cues and conducting patterns during ensemble passages
  • Sustaining energy and precision through a extended climactic section

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