A Distant Shore Cover Image

A Distant Shore: SAB Choral Octavo

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A Distant Shore Cover Image

A Distant Shore: SAB Choral Octavo

A Partner Song with "The Water Is Wide"

Music by Mary Donnelly / arr. George L. O. Strid

Item: 00-11561

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Description
This partner song arrangement of the best-loved American folk song "The Water Is Wide" features a new, folk-like, counter-melody. Moderate vocal ranges. The extended "echo" section is perfect for developing ages of any age. Flowing piano accompaniment. The 2-part voicing includes a descant which may be performed by a C instrument such as flute or bells. Destined to become a choral classic! This title is available in Music Prodigy.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Distant Shore: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081028590
SKU: 00-11561

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and studied English and French at the University of Nevada, Reno. While still an undergraduate, she founded two children's choruses, an experience that inspired her to pursue music education formally. She earned a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, where she focused on integrating the arts across the curriculum.

Donnelly taught general music and choir in the Washoe County School District for thirty years, retiring after a career in elementary and middle school classrooms. In 1985, she began collaborating with arranger George L. O. Strid on a sixth-grade musical; that partnership has since produced over two hundred songs and twenty-five musicals. She holds memberships in ACDA, NEA, and ASCAP, and continues to live in Reno with her husband Rich.

Why we love this

The partner song structure gives your singers a genuine musical conversation to navigate, building ensemble listening skills without requiring advanced part-reading. The echo section works beautifully as a rehearsal tool for teaching phrase shaping and blend across your SAB voicing, and the optional instrumental descant opens the door to interdepartmental collaboration with your band or orchestra program.

What to expect

Warm and reflective, grounded in the timeless quality of an American folk melody while animated by the interplay between the original tune and its counter-melody. The echo section creates an introspective moment, drawing the listener inward before the piece resolves with quiet dignity.

Who it's for

This octavo works well for middle school through adult community choirs seeking accessible three-part literature with genuine musical depth. The moderate vocal ranges keep it within reach for developing singers while the partner song structure engages more experienced ensembles.

How to get the most out of it

  • Balance the counter-melody against the primary tune so both sing through equally. The folk-like character depends on hearing both melodic lines as partners rather than one dominating.
  • Shape the echo section with gradual dynamic softening; treat each repetition as a gentle fade rather than abrupt cutoffs.
  • If adding the C instrument descant, rehearse it with your soloists or section leaders first so the choir can lock onto the harmonic support before full ensemble integration.
  • Let the flowing piano accompaniment breathe naturally; avoid rushing the moderate tempo, which gives the arrangement room to settle into its folk sensibility.

How to use it

Pair this with other folk-inspired pieces for a concert focused on American roots music, or use it as a quieter moment between more rhythmically active selections. The accessible voicing and eight-page length make it ideal for mid-season programming when your singers have found their blend.

Skills your students will build

  • Part independence while maintaining phrase unity in partner song structures
  • Echo technique and dynamic control in extended repeated sections
  • Blend and balance when carrying a secondary melodic line against a primary tune
  • Collaborative listening across SAB voicing to support ensemble cohesion

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