A Dickens of a Christmas Cover Image

A Dickens of a Christmas: Choral SoundTrax CD

$59.99 USD
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A Dickens of a Christmas Cover Image

A Dickens of a Christmas: Choral SoundTrax CD

A Musical Based on "A Christmas Carol" by Charles Dickens for Unison and 2-Part Voices

By Sally K. Albrecht and Jay Althouse / inst. arr. Steve Herold

Grade: 4 & up

Item: 00-24029

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Description
A Dickens of a Christmas is the classic tale of covetous miser Ebenezer Scrooge, brought to life with a powerful score and a Dickensian-style script that is sure to impress. When visited by the ghosts of Christmas past, present, and future, Scrooge is forced to see the coldness of his own humbug ways, and learns to honor Christmas in his heart. Characters include your favorites like Jacob Marley, Bob Cratchit, Mister and Missus Fezziwig, an inspirational Tiny Tim, and many others---enough for all of your theatrical students. Guaranteed to be a moving 40-minute holiday presentation or program! Recommended for grades four and up. Performance time: approximately 40 minutes. Based on Charles Dickens' classic tale A Christmas Carol. Includes background information on Charles Dickens and various Christmas traditions.

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Additional Details
Publisher: Alfred Music
UPC: 038081261379
SKU: 00-24029

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, bringing theatrical sensibility and movement-forward thinking to every score she writes. Her prolific output includes more than 600 choral publications and 75 larger musicals and songbooks, work that has earned her continuous ASCAP recognition since 1987. She has conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and served as Director of School Choral, Vocal, and Elementary Publications for Alfred Music during her tenure in educational publishing.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. She has been honored with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

This is a complete theatrical package that actually delivers on the promise of engaging fourth grade and up students in serious musical storytelling. The Dickensian framework gives your cast meaningful character work and emotional arc, while the score supports singers at multiple levels within a single ensemble so nobody sits idle.

What to expect

The score walks the line between accessibility and authenticity, giving young singers moments of genuine emotional resonance alongside the humor and spectacle of the Fezziwig scenes and the weight of Marley's arrival. The Dickensian language and period setting create an atmosphere that feels literary and purposeful rather than commercial.

Who it's for

Directors programming a winter concert or holiday assembly who want something beyond a generic pageant, and who have a mixed-ability choir willing to commit to learning lines and character work. This works equally well for a dedicated school musical production or a 40-minute holiday offering that satisfies audiences expecting both substance and entertainment.

How to get the most out of it

  • The SoundTrax CD tracks keep ensemble singers locked to the dramatic pacing; use them liberally in rehearsal to establish how the story moves between scenes.
  • Cast Tiny Tim early and rehearse those moments separately, since they carry the emotional turning point for Scrooge and the whole audience.
  • Coordinate movement cues with the score during early rehearsals rather than adding staging afterward; Albrecht's writing invites physical storytelling.
  • Let your stronger readers tackle the Dickensian script passages so the narrator voices feel crisp and clear between musical numbers.

How to use it

Program this as a standalone winter concert or as the anchor of a holiday assembly that frames the season around character and redemption rather than just decoration. The 40-minute runtime is substantial enough to serve as a complete evening's entertainment for a middle school audience, or pair it with a shorter opener and closing number from your regular concert repertoire.

Skills your students will build

  • Singing sustained phrases and longer melodic lines across multiple verses
  • Responding to character and emotional subtext within ensemble singing
  • Memorizing text and managing both spoken dialogue and musical passages
  • Maintaining ensemble balance while navigating multiple vocal parts and dramatic tempos
  • Understanding narrative structure and how music supports story progression

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