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A Dickens of a Christmas: Unison / 2-Part Choral Director’s Score

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A Dickens of a Christmas Cover Image

A Dickens of a Christmas: Unison / 2-Part Choral Director’s Score

A Musical Based on "A Christmas Carol" by Charles Dickens for Unison and 2-Part Voices

By Sally K. Albrecht and Jay Althouse / inst. arr. Steve Herold

Grade: 4 & up

Item: 00-24025

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Description
A Dickens of a Christmas is the classic tale of covetous miser Ebenezer Scrooge, brought to life with a powerful score and a Dickensian-style script that is sure to impress. When visited by the ghosts of Christmas past, present, and future, Scrooge is forced to see the coldness of his own humbug ways, and learns to honor Christmas in his heart. Characters include your favorites like Jacob Marley, Bob Cratchit, Mister and Missus Fezziwig, an inspirational Tiny Tim, and many others---enough for all of your theatrical students. Guaranteed to be a moving 40-minute holiday presentation or program! Recommended for grades four and up. Performance time: approximately 40 minutes. Based on Charles Dickens' classic tale A Christmas Carol. Includes background information on Charles Dickens and various Christmas traditions.

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Additional Details
Publisher: Alfred Music
Page Count: 48
UPC: 038081261331
SKU: 00-24025

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral education for over three decades, serving as Director of School Choral, Vocal, and Elementary Publications at major educational publishers and building a catalog of more than 600 choral works. Her compositions and arrangements have been performed at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and she has received the ASCAP Special Music Award annually since 1987. She holds degrees from Rollins College, the University of Miami (both M.A. in Drama and M.M. in Accompanying), and has taught at Oakland University, Jersey City State College, and Meredith College.

Albrecht is particularly celebrated for her innovative integration of movement with choral music, a signature element of her work. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She and her husband, composer and arranger Jay Althouse, reside in Wake Forest, North Carolina.

Why we love this

Albrecht and Althouse have crafted a musical adaptation that honors Dickens while remaining genuinely theatrical and singable for young choristers. The unison and 2-part writing keeps the focus on storytelling and character development rather than harmonic complexity, which means your ensemble can invest energy in dramatic delivery and the movement opportunities the script naturally affords. At 40 minutes, it's substantial enough to feel like a real production without overwhelming a school program.

What to expect

The score pulses with Dickensian atmosphere while remaining accessible and buoyant, balancing the darkness of Scrooge's spiritual poverty with moments of warmth and redemption. You'll hear period-flavored melodies that feel classical without being heavy, complemented by orchestration that suggests a full theatrical production. The emotional core hinges on Tiny Tim and the Cratchit family, giving singers meaningful material that resonates beyond the holiday season.

Who it's for

This work engages elementary and middle school choirs (grade 4 and up) looking for a substantial theatrical project that doesn't require advanced harmonic or vocal technique. It accommodates ensemble sizes and vocal ranges typical of school settings, with enough parts to include a large cast alongside your singing ensemble. Directors seeking a holiday program with genuine emotional arc and literary grounding will find this particularly rewarding.

How to get the most out of it

  • Encourage your singers to listen to the recorded accompaniment during rehearsals so they can absorb the underscoring and learn how their vocal lines sit within the fuller orchestration.
  • Block scenes with clear sightlines for dialogue; younger singers often need visual cues to stay connected to the dramatic arc when moving between sung and spoken sections.
  • Work with your actors on Dickensian diction and accent choices early so the language feels authentic rather than stilted when paired with the music.
  • Use the script's background information on Dickens and Christmas traditions as a springboard for character discussion; singers who understand the historical context often deliver more nuanced performances.

How to use it

A Dickens of a Christmas works beautifully as a complete winter concert event or as the centerpiece of a larger holiday program that might include shorter choral selections. It also serves well as an interdisciplinary project, bridging music, drama, and literature standards in elementary or middle school settings. The 40-minute length and high production value make it suitable for evening performances or special assembly presentations where you want genuine theatrical impact.

Skills your students will build

  • Sustaining phrase lines in unison and 2-part voicing
  • Balancing sung passages with spoken dialogue and dramatic timing
  • Interpreting character through vocal expression and stagecraft
  • Understanding Dickensian language and 19th-century social context
  • Ensemble cohesion across larger casts with multiple theatrical roles

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