A Coconut Named Alex Cover Image

A Coconut Named Alex: Brass Band Conductor Score & Parts

$35.00 USD
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A Coconut Named Alex Cover Image

A Coconut Named Alex: Brass Band Conductor Score & Parts

By David Marlatt

Level: Easy-Medium

Item: 81-BB2221

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Description
This colourful title aptly combines the basis for the piece and the person it was written for. Tenth grade trumpet player Alex McCarthy would come to brass quintet rehearsals and, rather than warming up on long tones or lyrical studies, he would play excerpts from the Denis Di Blasio tune Coconut Champagne which was written for Maynard Ferguson and his band. This piece uses that melodic material as a base for this upbeat samba tune. There is a solo section for cornet and a written out solo has been provided.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-180-6
ISBN13: 978-1-55472-180-1
UPC: 685462000197
SKU: 81-BB2221

More about this title

About the Composer: David Marlatt

David Marlatt is a composer and arranger with deep roots in brass band pedagogy. His work demonstrates a gift for creating pieces that feel personal and engaging to young musicians while maintaining musical substance and stylistic authenticity.

Why we love this

A piece that springs from genuine student initiative and personality. Marlatt transforms a tenth grader's favorite jazz tune into a bright, accessible samba that keeps the infectious melodic hook front and center while giving your cornet section a chance to shine. The written-out solo removes the pressure of improvisation while maintaining authentic solo voice styling, making this rewarding for both your soloists and the rest of the band.

What to expect

Warmth and humor wrapped in a samba groove. The bright cornet melody and syncopated brass textures give it a tropical, easygoing character that feels both contemporary and playful, like a musical nod to a student's personality.

Who it's for

Brass bands looking for upbeat, accessible Latin repertoire that engages soloists without demanding improvisation. This works well for groups that want a change of pace from traditional British brass band marches while staying well within intermediate capabilities.

How to get the most out of it

  • Lock the rhythmic foundation early in rehearsal. The samba groove depends on precise coordination between your rhythm section and the brass figures, so spend time drilling the syncopated backgrounds alongside the main melody.
  • Shape the cornet solo with dynamic contrast. Even though it's written out, encourage your soloist to treat it as a conversation with the band rather than a recitation, bringing out the call-and-response moments.
  • Keep the tempo steady but buoyant. Easy-medium difficulty can tempt conductors to rush; instead, let the samba sit in its pocket and let the rhythmic energy come from precision, not speed.

How to use it

Program this as a concert opener or closer to establish an upbeat mood, or slot it into a spring or summer concert where lighter, dance-oriented pieces make sense. It pairs well with more traditional brass band fare, offering a stylistic palette cleaner between heavier selections.

Skills your students will build

  • Playing samba rhythms and syncopated brass figures
  • Balancing solo voice with ensemble accompaniment
  • Maintaining steady groove in Latin ensemble contexts
  • Reading and performing from a full conductor score and individual parts

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