'60s Chicks (A Medley) Cover Image

'60s Chicks (A Medley): SSA Choral Octavo

$2.95 USD
Sale price  $2.95 USD Regular price 
Skip to product information
'60s Chicks (A Medley) Cover Image

'60s Chicks (A Medley): SSA Choral Octavo

Featuring: Johnny Angel / It's My Party / I Only Want to Be with You

Arr. Jay Althouse

Item: 00-28528

makemusic Cloud badge

Need it now?

Buy Digital Version
$2.95
Shipped

One moment…

Description
Don't miss this memorable medley of three great '60s girl-group hits. The "chicks" in your choir will love it. Fun, timeless music for your concert or show SSA groups. The '60s never go out of style!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, '60s Chicks (A Medley): SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081310725
SKU: 00-28528

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse earned a B.S. in Music Education and an M.Ed. in Music from Indiana University of Pennsylvania, where he received the Distinguished Alumni award. Early in his career, he spent eight years as a rights and licenses administrator for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America.

As a composer and arranger, Althouse has over 800 choral works in print and his music is performed regularly throughout the English-speaking world. He is an ASCAP writer member and a consistent recipient of the ASCAP Special Award. Beyond his compositional output, he has co-written children's musicals with his wife Sally K. Albrecht, compiled vocal solo collections, authored The Complete Choral Warm-up Book and Accent on Composers (both co-written), and created reproducible classroom resources including Ready to Read Music and One-Page Composer Bios. He also co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration. Althouse serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

Althouse has a gift for capturing the joy and energy of pop hits without oversimplifying the vocal writing. This medley balances accessibility with genuine arranging craftsmanship, so your SSA singers get real parts to sing, not just melody carriers. The novelty concept keeps the piece engaging for young ensembles while remaining entirely performance-ready.

What to expect

Bright, energetic, and instantly familiar. The '60s girl-group sound brings infectious optimism and rhythmic precision, with each selected hit maintaining its signature groove while being woven together thoughtfully. Your singers will feel the confidence of performing iconic music that audiences recognize and enjoy.

Who it's for

This medley is ideal for SSA choirs at the middle school and high school levels who are ready for an arrangement with real musical substance behind the pop appeal. It works especially well for groups looking to engage younger singers and bring contemporary energy to a concert while staying rooted in strong choral writing.

How to get the most out of it

  • Balance the melody among your sopranos so the recognizable hooks shine without drowning out the harmonic context that makes the arrangement work.
  • Lock in the rhythmic drive early in rehearsal. '60s girl groups relied on crisp, confident phrasing, so establish steady tempo and clear articulation before refining blend.
  • Use the recorded accompaniment to anchor ensemble timing and tuning, especially if your singers are new to this style's rhythmic demands.
  • Let the fun show through; singers can hear when you're taking this seriously as a performance piece, not just a novelty. Find the swing and groove in the phrasing.

How to use it

Program this as a concert highlight or finale act where you want to shift the mood toward something celebratory and accessible. It pairs well alongside more serious choral literature on the same program, offering a palate cleanser that appeals to general audiences while showcasing your ensemble's versatility. Consider it for pops concerts, spring shows, or any performance where you want to feature your treble voices with material that lands immediately with listeners.

Skills your students will build

  • Singing pop and commercial music idioms with authenticity
  • Maintaining rhythmic precision in syncopated passages
  • Balancing melody with supporting vocal parts in a three-part texture
  • Performing with stylistic confidence and expressive phrasing
  • Transitioning smoothly between contrasting song sections within a medley

You May Also Like