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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 25 or 6 to 4: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Robert Lamm
Robert Lamm co-founded Chicago in 1967 and served as the band's keyboardist, vocalist, and primary songwriter throughout their most commercially successful era. He wrote or co-wrote many of the group's signature hits, including "25 or 6 to 4," which became one of rock music's most recognizable horn-driven anthems. Lamm's gift for crafting memorable melodies and his understanding of how to blend rock energy with horn arrangements made him central to Chicago's sound and legacy.
Why we love this
Michael Story's Grade 1 arrangement captures everything that made this track iconic—the driving rhythm, the irresistible hook, the swagger—without overwhelming young players. Your beginning band gets to own a song that sounds polished and professional from day one, which builds genuine confidence and keeps students excited about band.
What to expect
Confident, propulsive, and undeniably cool. The arrangement channels the tight, horn-driven groove of the original while staying accessible, so your band sounds energetic and polished even on a first or second read. There's an infectious swagger here that reminds players why they wanted to play in the first place.
Who it's for
Beginning concert bands and middle school students who benefit from playing a song that feels relevant and fun rather than purely pedagogical. Directors looking to program familiar, high-energy material that builds student investment and demonstrates that band music extends far beyond classical tradition.
How to get the most out of it
- Lock the eighth-note pulse in the rhythm section early and often during rehearsal. This groove is the foundation; once it's solid, everything else falls into place.
- Balance the horn lines so they sit clearly above the band without dominating the texture. Chicago's signature sound depends on this interplay between the sections.
- Maintain forward motion through the form. Even at Grade 1, younger players can shape phrases and avoid letting tempos drift, especially during repetitive sections.
- Encourage the lead trumpet and alto saxophone to own their solos with character and personality. This arrangement gives beginners a chance to feel like the stars.
How to use it
This works beautifully as a closer on a concert where you want to end on an upbeat, contemporary note that audiences recognize immediately. Pair it with a mix of traditional band repertoire to show the full range of ensemble music, or use it early in the school year to grab student attention and build ensemble identity.
Skills your students will build
- Reading and executing syncopated rhythms in a rock context
- Maintaining steady tempo and groove within a fixed pulse
- Balancing sectional sound while playing supportive parts
- Interpreting stylistic articulation and dynamics in pop/rock arrangements