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10 Intonation Studies and Chorales: String Orchestra Conductor Score

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10 Intonation Studies and Chorales: String Orchestra Conductor Score

By Brian Balmages

Item: 98-ST6429S

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Description
Enhance your warm-up and develop stellar intonation with this thoughtful set of 10 intonation studies and chorales. Designed to help students hear harmony in a logical and progressive way, exercises include harmonizing scales to open strings, the use of open string drones during chorales, studies in various keys, attention to bow distribution, and much more. Complete with an extensive discussion featuring practical uses for each study and suggested combinations throughout the year. A fabulous resource for all string orchestras, including honor orchestras!

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444582510
SKU: 98-ST6429S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor equally at home in orchestral, band, and chamber repertoire. His works have appeared at Carnegie Hall, the Kennedy Center, Sydney Opera House, and countless school concert halls worldwide, earning him the A. Austin Harding Award from the American School Band Directors Association and a 2020 NBA William D. Revelli Composition Contest win for Love and Light.

Beyond composition, Balmages maintains an active conducting schedule with all-state ensembles, university orchestras, and professional groups internationally. He is an elected member of the American Bandmasters Association and currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages built this collection on solid pedagogical thinking rather than generic exercises. The progression from scales harmonized against open strings through key-specific studies with drone accompaniment gives students concrete sonic reference points, making intonation work feel purposeful rather than repetitive. The conductor score includes detailed guidance for sequencing these throughout your year, so you're not left guessing which study serves which objective.

What to expect

Clear and grounded. The chorales sit in a comfortable tonal center while the harmonization studies build ear training without flashiness. Each exercise has breathing room and logical harmonic movement, so students can focus on matching pitch rather than navigating technical complexity.

Who it's for

String orchestra directors at any level who want systematic, musically intelligent intonation work for their ensemble. This collection serves honor orchestras and festival-bound groups equally well, since the studies stand on their own merit rather than requiring advanced repertoire experience.

How to get the most out of it

  • Start with the open string drone exercises early in the season when students' ears are still forming their pitch center. Return to them regularly as a five-minute opener.
  • Use bow distribution exercises to address intonation problems that stem from tension or uneven pressure rather than pitch awareness alone.
  • Combine studies strategically across rehearsals. The guide suggests pairings that reinforce concepts without overwhelming students with too many new harmonic contexts at once.
  • Record your ensemble working through these studies over the course of several weeks. Play back recordings to let students hear their own progress in tuning accuracy.

How to use it

Thread these throughout your rehearsal calendar rather than using them as a single unit. The conductor notes suggest specific studies for different months and pedagogical objectives, making them ideal for filling the space between larger repertoire projects. Consider featuring a chorale or two in informal concerts or sectional warm-ups where the focus is explicitly on ensemble sound.

Skills your students will build

  • Harmonic listening and matching pitch within chord changes
  • Reading and responding to open string drones as pitch reference
  • Intonation adjustments across multiple key centers
  • Bow control and pressure management for even tone
  • Recognition of harmonic function and how it affects tuning needs

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