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  • Right@Sight for Piano, Grade 5: Piano Sight-Reading

    Right@Sight for Piano, Grade 5: Piano Sight-Reading

    Right@Sight for Piano, Grade 5: Piano Sight-Reading

    Edited by Caroline Evans

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  • Right@Sight for Piano, Grade 3: Piano Sight-Reading

    Right@Sight for Piano, Grade 3: Piano Sight-Reading

    Right@Sight for Piano, Grade 3: Piano Sight-Reading

    Edited by Caroline Evans

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  • Right@Sight for Piano, Grade 1: Piano Sight-Reading

    Right@Sight for Piano, Grade 1: Piano Sight-Reading

    Right@Sight for Piano, Grade 1: Piano Sight-Reading

    Edited by Caroline Evans

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  • Années de pèlerinage, Première Année/Trois Morceaux suisses: Piano (Solo)

    Années de pèlerinage, Première Année/Trois Morceaux suisses: Piano (Solo)

    Années de pèlerinage, Première Année/Trois Morceaux suisses: Piano (Solo)

    By Franz Liszt / ed. Leslie Howard

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  • Hymn to St. Cecilia for SATB Choir and Organ: Choral Works (inc. Oratorios)

    Hymn to St. Cecilia for SATB Choir and Organ: Choral Works (inc. Oratorios)

    Hymn to St. Cecilia for SATB Choir and Organ: Choral Works (inc. Oratorios)

    By Daniel Knaggs

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  • Requiem (Revised Version, 1997) (Full Score): Choral Works (inc. Oratorios)

    Requiem (Revised Version, 1997) (Full Score): Choral Works (inc. Oratorios)

    Requiem (Revised Version, 1997) (Full Score): Choral Works (inc. Oratorios)

    By György Ligeti

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  • Ave Maria: Choral Octavo

    Ave Maria: Choral Octavo

    Ave Maria: Choral Octavo

    By Max Baumann

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  • O crux ave: SATB Choral Octavo

    O crux ave: SATB Choral Octavo

    O crux ave: SATB Choral Octavo

    By Giovanni Pierluigi Palestrina

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  • Kolenden: SATB Choral

    Kolenden: SATB Choral

    Kolenden: SATB Choral

    By Arnold Moller

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  • Machet die Tore weit: SATB Choral

    Machet die Tore weit: SATB Choral

    Machet die Tore weit: SATB Choral

    By Andreas Hammerschmidt

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  • Singen wir mit Fröhlichkeit F-Dur: Choral Octavo

    Singen wir mit Fröhlichkeit F-Dur: Choral Octavo

    Singen wir mit Fröhlichkeit F-Dur: Choral Octavo

    By Hermann Schroeder

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  • Kolenden: Choral Score

    Kolenden: Choral Score

    Kolenden: Choral Score

    By Arnold Moeller

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  • Ordinarium 2: Choral Octavo

    Ordinarium 2: Choral Octavo

    Ordinarium 2: Choral Octavo

    By Hermann Schroeder

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  • John Cage Breakfast Boards: Accessory

    John Cage Breakfast Boards: Accessory

    John Cage Breakfast Boards: Accessory

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  • Blacksmith Forges in the Sky (Kalejs kala debesis) for SSAATTBB Choir: Choral Octavo, Voice

    Blacksmith Forges in the Sky (Kalejs kala debesis) for SSAATTBB Choir: Choral Octavo, Voice

    Blacksmith Forges in the Sky (Kalejs kala debesis) for SSAATTBB Choir: Choral Octavo, Voice

    Latvian Folksong / arr. Selga Mence

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  • Shared Ground: SATB Choral Vocal Score

    Shared Ground: SATB Choral Vocal Score

    Shared Ground: SATB Choral Vocal Score

    Alec Roth / words by Vikram Seth

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  • The Celtic Piano Book: 13 Irish Songs: Piano Solo

    The Celtic Piano Book: 13 Irish Songs: Piano Solo

    The Celtic Piano Book: 13 Irish Songs: Piano Solo

    By Various

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  • 26 Exercises Op. 107 for Flute, Vol. 2: Flute/Piccolo Studies

    26 Exercises Op. 107 for Flute, Vol. 2: Flute/Piccolo Studies

    26 Exercises Op. 107 for Flute, Vol. 2: Flute/Piccolo Studies

    By Anton Bernhard Fürstenau / ed. Werner Richter

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  • Ave Maria I for SAATBB Choir: Choral Octavo, Voice

    Ave Maria I for SAATBB Choir: Choral Octavo, Voice

    Ave Maria I for SAATBB Choir: Choral Octavo, Voice

    By Rihards Dubra

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  • The Little Piano Book Vol.1: Masters Before J.S. Bach: Piano Solo

    The Little Piano Book Vol.1: Masters Before J.S. Bach: Piano Solo

    The Little Piano Book Vol.1: Masters Before J.S. Bach: Piano Solo

    Ed. Kurt Hermann

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  • A Baltic Christmas for SATB Choir: Choral Works (inc. Oratorios)

    A Baltic Christmas for SATB Choir: Choral Works (inc. Oratorios)

    A Baltic Christmas for SATB Choir: Choral Works (inc. Oratorios)

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  • Choral Anthology 1 for Mixed Choir (SATB): Choral Works (inc. Oratorios)

    Choral Anthology 1 for Mixed Choir (SATB): Choral Works (inc. Oratorios)

    Choral Anthology 1 for Mixed Choir (SATB): Choral Works (inc. Oratorios)

    By Rihards Dubra

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  • Maple: Cello (Solo)

    Maple: Cello (Solo)

    Maple: Cello (Solo)

    By Sally Beamish

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  • Music for Solo Piano, Vol. 1: Piano (Solo)

    Music for Solo Piano, Vol. 1: Piano (Solo)

    Music for Solo Piano, Vol. 1: Piano (Solo)

    By Erik Satie / ed. Roger Nichols

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About This Collection

Description

This collection spans centuries of classical and sacred music, from Bach's foundational cello works to contemporary compositions. You'll find major choral works like Brahms' Ein deutsches Requiem and Verdi's Requiem alongside accessible pieces for intermediate and advanced singers. Whether you're building a choir repertoire, teaching piano fundamentals with Beyer's Elementary Method, or programming a concert season, you'll find scores that serve both pedagogical and performance needs.

Highlights

Teachers return to Laura Jekabsone's Father Thunder for its depth as a choral work, and Eriks Ešenvalds' Stars remains popular for SSAATTBB ensembles. Jonathan Dove's Ring Out, Wild Bells works reliably for mixed choirs, while Sally Beamish's In the Stillness offers a compelling a cappella option for SATB groups.

Recently added

Recent additions include Alexander Tcherepnin's Six Liturgical Chants, No. 5: Transfiguration for mixed voices, Rebecca Saunders' Still for full orchestra, and Christian Wolff's chamber works In Between Pieces and Or 4 People.

Composer & Author Spotlight

Johann Sebastian Bach's influence runs deep through instrumental catalogs; his Cello Suites remain foundational, and transcriptions like the Viola arrangement extend their reach to other musicians. Johannes Brahms' Ein deutsches Requiem stands as one of the most programmed large choral works, offering both vocal and instrumental parts for concert performance. Jonathan Dove writes accessibly without sacrificing depth; Ring Out, Wild Bells shows how a single movement can anchor a concert program. John Cage's 4'33'' appears in this collection as a philosophical statement about silence and listening, opening conversations about what music can be.