Edwin F. Kalmus

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  • Christmas Eve Suite: Full Orchestra Conductor Score

    Christmas Eve Suite: Full Orchestra Conductor Score

    Christmas Eve Suite: Full Orchestra Conductor Score

    By Nicolai Rimsky-Korsakov

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  • Christmas Eve Suite: Full Orchestra Conductor Score & Parts

    Christmas Eve Suite: Full Orchestra Conductor Score & Parts

    Christmas Eve Suite: Full Orchestra Conductor Score & Parts

    By Nicolai Rimsky-Korsakov

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  • The Rite of Spring (Le Sacre du Printemps): Full Orchestra, Ensemble Works, Oversized Score

    The Rite of Spring (Le Sacre du Printemps): Full Orchestra, Ensemble Works, Oversized Score

    The Rite of Spring (Le Sacre du Printemps): Full Orchestra, Ensemble Works, Oversized Score

    By Igor Stravinsky, ed./arr. by Clinton F. Nieweg

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  • Serenade Melancholique, Op. 26/ TH 56: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    Serenade Melancholique, Op. 26/ TH 56: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    Serenade Melancholique, Op. 26/ TH 56: Full Orchestra, Solo Strings with Ensemble, Conductor Score

    By Peter Ilyitch Tchaikovsky

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  • Serenade Melancholique, Op. 26/ TH 56: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

    Serenade Melancholique, Op. 26/ TH 56: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

    Serenade Melancholique, Op. 26/ TH 56: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

    By Peter Ilyitch Tchaikovsky

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  • Symphony No. 3 in D minor, GMW 31: Full Orchestra, Chorus with Ensemble, Oversized Score

    Symphony No. 3 in D minor, GMW 31: Full Orchestra, Chorus with Ensemble, Oversized Score

    Symphony No. 3 in D minor, GMW 31: Full Orchestra, Chorus with Ensemble, Oversized Score

    By Gustav Mahler

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  • Cantata No. 61: Nun komm, der Heiden Heiland [1st setting], BWV 61: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 61: Nun komm, der Heiden Heiland [1st setting], BWV 61: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 61: Nun komm, der Heiden Heiland [1st setting], BWV 61: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    By Johann Sebastian (J.S.) Bach, ed./arr. by Wilhelm Rust/ Texts by Martin Luther (No. 1), Erdmann Neumeister (Nos. 2, 3, 5), Philipp Nicolai (No. 6), and from Revelation 3: 20 (No. 4). German.

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  • Cantata No. 61: Nun komm, der Heiden Heiland [1st setting], BWV 61: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    Cantata No. 61: Nun komm, der Heiden Heiland [1st setting], BWV 61: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    Cantata No. 61: Nun komm, der Heiden Heiland [1st setting], BWV 61: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    By Johann Sebastian (J.S.) Bach, ed./arr. by Wilhelm Rust/ Texts by Martin Luther (No. 1), Erdmann Neumeister (Nos. 2, 3, 5), Philipp Nicolai (No. 6), and from Revelation 3: 20 (No. 4). German.

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  • Trois Nocturnes, L. 91 (Three Nocturnes; Original Version, 1899): Full Orchestra, Chorus with Ensemble, Oversized Score

    Trois Nocturnes, L. 91 (Three Nocturnes; Original Version, 1899): Full Orchestra, Chorus with Ensemble, Oversized Score

    Trois Nocturnes, L. 91 (Three Nocturnes; Original Version, 1899): Full Orchestra, Chorus with Ensemble, Oversized Score

    By Claude Debussy, ed./arr. by Clinton F. Nieweg

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  • Poeme for Violin and Orchestra, Op. 25: Full Orchestra, Solo Strings with Ensemble, Oversized Score

    Poeme for Violin and Orchestra, Op. 25: Full Orchestra, Solo Strings with Ensemble, Oversized Score

    Poeme for Violin and Orchestra, Op. 25: Full Orchestra, Solo Strings with Ensemble, Oversized Score

    By Ernest Chausson, ed./arr. by Clinton F. Nieweg

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  • Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    By Johann Sebastian (J.S.) Bach, ed./arr. by Franz Wullner/ Text by Salomo Franck (Nos. 1-5) and Christoph Knoll (No. 6). German.

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  • Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    By Johann Sebastian (J.S.) Bach, ed./arr. by Franz Wullner/ Text by Salomo Franck (Nos. 1-5) and Christoph Knoll (No. 6). German.

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  • Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    Cantata No. 161: Komm, du suesse Todesstunde, BWV 161 [Later version]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    By Johann Sebastian (J.S.) Bach, ed./arr. by Bernhard Todt/ Text by Salomo Franck (Nos. 1-5) and Christoph Knoll (No. 6). German.

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  • Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77: Woodwind Duo & Ensemble, Choir, Conductor Score

    Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77: Woodwind Duo & Ensemble, Choir, Conductor Score

    Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77: Woodwind Duo & Ensemble, Choir, Conductor Score

    By Claude Debussy, ed./arr. by Graham Sheen

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  • Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77: Woodwind Duo & Ensemble, Choir, Conductor Score & Parts

    Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77: Woodwind Duo & Ensemble, Choir, Conductor Score & Parts

    Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77: Woodwind Duo & Ensemble, Choir, Conductor Score & Parts

    By Claude Debussy, ed./arr. by Graham Sheen

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  • Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77 [Mouton orchestration]: Salon/ Theater Orchestra, Ensemble Works, Conductor Score & Parts

    Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77 [Mouton orchestration]: Salon/ Theater Orchestra, Ensemble Works, Conductor Score & Parts

    Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77 [Mouton orchestration]: Salon/ Theater Orchestra, Ensemble Works, Conductor Score & Parts

    By Claude Debussy, ed./arr. by Hubert Mouton

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  • Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77 [Mouton orchestration]: Salon/ Theater Orchestra, Ensemble Works, Condensed Score

    Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77 [Mouton orchestration]: Salon/ Theater Orchestra, Ensemble Works, Condensed Score

    Marche Ecossaise sur un Theme Populaire (The Earl of Ross March), CD 83/ L. 77 [Mouton orchestration]: Salon/ Theater Orchestra, Ensemble Works, Condensed Score

    By Claude Debussy, ed./arr. by Hubert Mouton

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  • Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

    Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

    Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

    By Franz Anton Hoffmeister, ed./arr. by Hans Mlynarczyk/ Albert, Kranz

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  • Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Solo Viola Part

    Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Solo Viola Part

    Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Solo Viola Part

    By Franz Anton Hoffmeister, ed./arr. by Hans Mlynarczyk/ Albert Kranz

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  • Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Condensed Score

    Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Condensed Score

    Concerto for Viola in D [Mlynarczyk/Kranz]: Full Orchestra, Solo Strings with Ensemble, Condensed Score

    By Franz Anton Hoffmeister, ed./arr. by Hans Mlynarczyk/ Albert Kranz

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  • Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [urtext]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [urtext]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [urtext]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    By Johann Sebastian (J.S.) Bach, ed./arr. by Alfred Dorffel/ Text by Johann Franck (Nos. 1, 3, 7) and Anonymous (Nos. 2, 4-6). German text.

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  • Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [urtext]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [urtext]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [urtext]: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score & Parts

    By Johann Sebastian (J.S.) Bach, ed./arr. by Alfred Dorffel/ Text by Johann Franck (Nos. 1, 3, 7) and Anonymous (Nos. 2, 4-6). German text.

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  • Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [German]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [German]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [German]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    By Johann Sebastian (J.S.) Bach, ed./arr. by Bernhard Todt/ Text by Johann Franck (Nos. 1, 3, 7) and Anonymous (Nos. 2, 4-6). German text.

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  • Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [English]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [English]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    Cantata No. 180: Schmuecke dich, o liebe Seele, BWV 180 [English]: Cantata/ Oratorio, Keyboard Accompaniment, Vocal Score

    By Johann Sebastian (J.S.) Bach, ed./arr. by Bernhard Todt/ Text by Johann Franck (Nos. 1, 3, 7) and Anonymous (Nos. 2, 4-6). German text.

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About This Collection

Description

The Edwin F. Kalmus collection brings standard repertoire to rehearsal rooms and stages across genres and skill levels. You'll find enduring choral works like We Wish You a Merry Christmas and O Holy Night alongside orchestral masterworks including Verdi's Requiem, Schubert's Mass No. 2 in G, and Debussy's Trois Nocturnes. Whether you're building a concert program, preparing for festival season, or teaching sacred music, the catalog spans from Grade 2 to Grade 6, with materials for choir, orchestra, and mixed ensembles.

Highlights

Teachers keep coming back to We Wish You a Merry Christmas by Arthur Harris, which appears year after year in holiday programs. Verdi's Nabucco excerpt (Va pensiero) and his Requiem are popular choices for serious choral study. Gershwin's O Land Of Mine, America rounds out a core list of titles that balance accessibility with artistic depth.

Recently added

Recent additions include Glazunov's Raymonda Suite and Richard Strauss's Symphonia Domestica as full conductor scores, alongside new orchestrations of traditional fare like When the Saints Go Marching In arranged by Richard Hayman. Puccini's Turandot (Alfano II revision) and Tchaikovsky's Fatum round out the summer 2026 releases.

Composer & Author Spotlight

Giuseppe Verdi's works in this collection span opera excerpts and large sacred forms. His Nabucco excerpt and Requiem remain essential teaching tools for choral directors working with singers at intermediate to advanced levels.

Antonín Dvorák and Felix Mendelssohn both appear as masters of the string and orchestral writing that has sustained concert programming for generations. Dvorák's Serenade in E for Strings exemplifies the kind of chamber orchestral work that serves repertoire classes and concert series alike.

George Frideric Handel and Wolfgang Amadeus Mozart share representation through the Messiah, a cornerstone of choral performance practice. Their presence in the catalog reflects how foundational baroque and classical work remains in the modern music classroom.