Concert Band New Releases
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Praeludium and Dance: Concert Band Conductor Score & Parts -
March Supreme: Concert Band Conductor Score & Parts -
This Band Rocks!: Concert Band Conductor Score & Parts -
Catalina March: Concert Band Conductor Score & Parts -
Sword Dance: Concert Band Conductor Score & Parts -
Land of the Midnight Sun: Concert Band Conductor Score & Parts -
We Will Remember: Concert Band Conductor Score & Parts -
The Holly and the Ivy: Concert Band Conductor Score & Parts -
Thrill Ride: Concert Band Conductor Score & Parts -
Superior Tradition: Concert Band Conductor Score & Parts -
Then I Saw the Lucent Sky: Concert Band Conductor Score & Parts -
Art in the Park: Concert Band Conductor Score & Parts -
Evensong: Concert Band Conductor Score & Parts -
Fantasy on an Early American Marching Tune: Concert Band Conductor Score & Parts -
A Quiet Music: Concert Band Conductor Score & Parts -
Primitivo: Concert Band Conductor Score & Parts -
Gymnopedie No. 1: Concert Band Conductor Score & Parts -
Joyeux Noël!: Concert Band Conductor Score & Parts -
Appalachian Morning: Concert Band Conductor Score & Parts -
Flight of the Piasa: Concert Band Conductor Score & Parts -
Appalachian Morning: Concert Band Conductor Score & Parts -
Flight of the Piasa: Concert Band Conductor Score & Parts -
A Celtic Christmas: Concert Band Conductor Score & Parts -
The Dragon's Lair: Concert Band Conductor Score & Parts
About This Collection
Description
This collection of over 10,000 concert band titles spans every difficulty level from Grade 1 through Grade 4, with substantial depth at the foundational grades where most programs need reliable material. Teachers stock their libraries with John Williams arrangements like Cantina Band and Star Wars Main Theme, Roland Barrett's Arabian Dances, and JaRod Hall's Tripwire because these titles work in real classrooms: they engage students, sit comfortably in student ranges, and sound polished at performance. You'll find contest pieces, concert openers and closers, holiday selections, and multicultural works alongside light concert fare and programmatic selections.
Highlights
Teachers keep coming back to John Williams' Cantina Band and Star Wars Main Theme, both Grade 1.5 and Grade 1 respectively, for their combination of immediate appeal and musical substance. Roland Barrett's Arabian Dances at Grade 2 remains a cornerstone title for intermediate bands, while JaRod Hall's Tripwire offers the kind of contemporary energy that holds ensemble attention without sacrificing musicality.
Recently added
Recent additions include Todd Stalter's Futurescape, Brian Balmages' TRACK OF TITANS/MDB, Scott Watson's Bright Horizon, Timothy Loest's Skeleton Crew, and Kenley Kristofferson's Winter Song, all published in June 2026 and available as conductor scores and parts.
Composer & Author Spotlight
Michael Story has 660 titles in this collection and remains one of the most reliable voices for accessible concert band writing. His Sleigh Ride is a perennial favorite, and teachers value his ability to write material that sounds mature while remaining playable for younger ensembles.
Robert Sheldon's 436 titles reflect his standing as one of the most performed composers of wind band music today. He authored Sound Innovations for Concert Band and has won numerous awards from the American School Band Director's Association and ASCAP. His Appalachian Morning exemplifies the expressive depth that resonates with both ensembles and audiences.
Brian Balmages spans orchestral, band, and chamber music with equal fluency across 430 titles. His work has been performed everywhere from Carnegie Hall and the Kennedy Center to elementary school gyms, and Wings to the Mind demonstrates why his music engages players at every level.
Robert W. Smith brings prolific output and consistent quality across 423 titles, with The Great Locomotive Chase standing as one of his most widely adopted works. As one of America's most popular concert band and orchestral composers, Smith's music appears in programs nationwide and reflects his deep background in both music education and professional composition.