Brass & Woodwind Solo Sheet Music

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  • The Last Rose of Summer: Trombone & Keyboard Part(s)

    The Last Rose of Summer: Trombone & Keyboard Part(s)

    The Last Rose of Summer: Trombone & Keyboard Part(s)

    Traditional / arr. David Marlatt

    Level: Medium

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  • Ricercare una melodia: Trombone Part(s)

    Ricercare una melodia: Trombone Part(s)

    Ricercare una melodia: Trombone Part(s)

    By Jonathan Harvey

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  • Solo Performer Series, Volume 1: Trumpet & Piano Book

    Solo Performer Series, Volume 1: Trumpet & Piano Book

    Solo Performer Series, Volume 1: Trumpet & Piano Book

    Arr. David Marlatt

    Level: Medium-Difficult

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    $25.00
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  • Che gelida manina (from La Boheme): Trumpet & Keyboard Part(s)

    Che gelida manina (from La Boheme): Trumpet & Keyboard Part(s)

    Che gelida manina (from La Boheme): Trumpet & Keyboard Part(s)

    By Giacomo Puccini / arr. Jason Bergman

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  • A Trumpeter's Lullaby: Trumpet Part(s)

    A Trumpeter's Lullaby: Trumpet Part(s)

    A Trumpeter's Lullaby: Trumpet Part(s)

    By Leroy Anderson

    Grade: (II)

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  • Nocturno, Op. 7: Horn & Piano Book

    Nocturno, Op. 7: Horn & Piano Book

    Nocturno, Op. 7: Horn & Piano Book

    By Franz Strauss

    Grade: 4

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  • Bugler's Holiday: Trumpet Part(s)

    Bugler's Holiday: Trumpet Part(s)

    Bugler's Holiday: Trumpet Part(s)

    By Leroy Anderson

    Grade: (III)

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  • Horn Sonata, Opus 17: French Horn Part(s)

    Horn Sonata, Opus 17: French Horn Part(s)

    Horn Sonata, Opus 17: French Horn Part(s)

    By Ludwig van Beethoven

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  • Carnival of Venice (Variations): Trumpet Part(s)

    Carnival of Venice (Variations): Trumpet Part(s)

    Carnival of Venice (Variations): Trumpet Part(s)

    By Herbert L. Clarke

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  • Intro et Polonaise: Trombone Part(s)

    Intro et Polonaise: Trombone Part(s)

    Intro et Polonaise: Trombone Part(s)

    By Jules Demersseman

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  • Sonata: Trombone / Euphonium Book

    Sonata: Trombone / Euphonium Book

    Sonata: Trombone / Euphonium Book

    By Paul W. Whear

    Grade: 4

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About This Collection

Description

Brass and woodwind soloists need repertoire that spans both classical masterworks and accessible teaching pieces. This collection brings together concert standards, contest material, and pedagogically sound arrangements for trumpet, trombone, horn, and other brass instruments across multiple ability levels. You'll find perennial favorites like Leroy Anderson's A Trumpeter's Lullaby, Rimsky-Korsakov's Trombone Concerto, and Handel's Aria Con Variazioni alongside contemporary educational resources that prepare students for festival performance.

Highlights

Teachers return consistently to Kent Kennan's Sonata for Trumpet and Piano (Revised 1986 Edition) and the Rimsky-Korsakov Trombone Concerto, both anchors of the solo brass repertoire. Chris M. Bernotas's Sound Performance for Young Musicians series (separate books for trumpet and trombone) bridges method study and performance, with online audio that students can reference. David Marlatt's Variations on Blue Bells of Scotland gives trombone and euphonium players material that works equally well for contest or concert settings.

Recently added

Johann Sebastian Bach's Suites for Solo Trumpet arrived in 2025 and represents a significant addition for teachers seeking authentic Baroque material for advanced players.

Composer & Author Spotlight

David Marlatt brings a composer's ear for lyrical brass writing. His Variations on Blue Bells of Scotland demonstrates his skill at building engaging solo material from familiar material, making it a reliable choice for intermediate players stepping into more substantial repertoire.

Chris M. Bernotas understands what young brass players need at each stage. His Sound Performance for Young Musicians books combine practical pedagogical sequencing with performance context, letting students hear recorded accompaniments as they learn.

George Frideric Handel and Johann Sebastian Bach represent the classical core of this collection. Handel's Aria Con Variazioni and Bach's Aria (Bist du bei Mir) remain standards because they reward careful musical work while staying within reach of advancing students. Both appear here in trumpet arrangements that preserve the melodic integrity of the originals.

Victor López writes with immediate musicality and clear phrase structure. His Sound Innovations Soloist for Intermediate Musicians series addresses the specific needs of players making the jump from early method books to solo literature.