Zwischen Skylla und Charybdis: Dritte Ballade Cover Image

Zwischen Skylla und Charybdis: Dritte Ballade: Piano (Solo)

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Zwischen Skylla und Charybdis: Dritte Ballade Cover Image

Zwischen Skylla und Charybdis: Dritte Ballade: Piano (Solo)

By Vladimir Pikul

Item: 98-EP8738

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-01-407084-7
ISBN13: 979-0-0140-7084-7
SKU: 98-EP8738

More about this title

About the Composer: Vladimir Pikul

Vladimir Pikul (1891-1955) was a Russian pianist and composer whose works bridged late Romantic idioms with early twentieth-century modernism. Active primarily in Berlin and Paris during the interwar years, Pikul composed prolifically for solo piano, chamber ensembles, and vocal forces, establishing himself as a sophisticated voice in European musical culture between the wars.

Why we love this

This third ballade delivers the narrative sweep and structural ambition that made the ballade form essential to piano repertoire while remaining distinct from the canonical Chopin ballades. Pikul's harmonic language and dramatic arc offer pianists a richer alternative to overworked Romantic standards without sacrificing the form's inherent theatricality.

What to expect

The piece evokes its mythological title through dramatic turbulence and lyrical respite, navigating between peril and beauty. Pikul's orchestral imagination translates vividly to the piano, creating a soundscape that shifts from intimate introspection to forceful declaration.

Who it's for

This work suits pianists seeking substantial solo repertoire beyond the most frequently performed ballades. Advanced students and professional pianists will find material that demands both technical security and interpretive maturity.

How to get the most out of it

  • Map the narrative arc of the piece before diving into technical work; ballades reward musicians who understand the dramatic stakes of each section.
  • Attend closely to Pikul's dynamic and tempo markings as primary voices guiding character and pacing rather than ornamental details.
  • Balance the lyrical passages with assertive playing in the turbulent sections; allow contrast to emerge naturally from the score rather than imposed.
  • Give yourself time to inhabit the harmonic language; early twentieth-century colorations require patient listening to unfold effectively.

How to use it

Position this as a centerpiece in a recital program exploring twentieth-century approaches to Romantic forms, or pair it with other Pikul works to establish a composer's voice. Its twenty-page span and dramatic weight make it well suited to a substantive solo recital rather than a thematic concert.

Skills your students will build

  • Sustaining large-scale narrative coherence across multiple tempo and character changes
  • Interpreting early twentieth-century harmonic language and voice leading
  • Balancing virtuosic passage work with lyrical singing tone
  • Managing dynamic range and textural clarity across a full keyboard

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