Zueignung Cover Image

Zueignung: Concert Band, Ensemble Works, Score and Parts (LUDWIGMASTERS)

$45.00 USD
Sale price  $45.00 USD Regular price 
Skip to product information
Zueignung Cover Image

Zueignung: Concert Band, Ensemble Works, Score and Parts (LUDWIGMASTERS)

By Richard Strauss, arr. Albert O. Davis

Grade: 3

Item: 36-10100061

$45.00
Shipped

One moment…

Description
Richard Strauss, one of Germany's greatest composers, was born in Munich, Germany, June 11, 1864 and died in 1949. A great master of orchestration, he created tone-poems in which the orchestra became one marvelous instrument, capable of expressing the whole gamut of human emotions. Among his art songs, "Zueignung" and "Allerseelen" became great favorites with concert and operatic singers. "Zueignung" is reminiscent of Wagner. This version for concert band is arranged by Albert Davis.

Zueignung: Concert Band, Ensemble Works, Score and Parts (LUDWIGMASTERS) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
UPC: 660355044144
SKU: 36-10100061
Instrumentation: Concert Band

More about this title

About the Composer: Richard Strauss

Richard Strauss (1864, 1949) stands as one of the most significant orchestral composers of the late Romantic era. Born in Munich, he mastered the art of instrumental color and emotional depth, writing symphonic poems that pushed the orchestra to its expressive limits. His gift for melody and harmonic richness influenced generations of composers, and his works remain central to the concert repertoire.

Beyond the concert hall, Strauss was a prolific art song composer. Pieces like "Zueignung" and "Allerseelen" showcase his ability to set German texts with both lyrical beauty and dramatic intensity, qualities that made them favorites with singers and audiences alike. His music demonstrates that mastery of form and orchestration serves the primary goal: moving the listener.

Why we love this

Davis's arrangement brings Strauss's lush harmonic language and soaring melodic gift within reach of Grade 3 ensembles without sacrificing the piece's emotional core. The orchestration captures that Wagnerian richness the original song possessed, giving concert band directors genuine masterwork repertoire rather than dumbed-down pop arrangements. Your students will recognize they're playing something substantial.

What to expect

Elegant and introspective, with moments of genuine warmth. The piece carries a contemplative quality reflective of its origins as a love song, supported by rich harmonic colors that shift subtly throughout. Despite its brevity, it demands maturity in phrasing and attention to dynamic nuance.

Who it's for

Grade 3 concert bands ready to explore art song literature beyond typical transcriptions. This works equally well for ensembles seeking a shorter, sophisticated standalone piece and for those building a program around German Romantic repertoire.

How to get the most out of it

  • Balance the melody line carefully; it should sing throughout, but too much emphasis will overwhelm the harmonic support. Adjust your section volumes so the tune floats naturally over the accompaniment.
  • Pay attention to phrase shape. Strauss composed in long, lyrical lines. Resist the temptation to accent every downbeat; instead, let each phrase breathe and resolve to its natural resting point.
  • Watch the dynamic transitions. Strauss's harmony moves expressively, and the printed dynamics in this arrangement mark those emotional shifts. Honor them as compositional choices, not just markings.
  • The recorded accompaniment is a useful reference for tempo and orchestral color, but encourage your students to listen to vocal recordings of the original song as well. Hearing how a soprano shapes the melody will inform your band's interpretation.

How to use it

Place this as a lyrical foil to heavier concert works, or anchor a half-concert around art songs and vocal-inspired band literature. It also serves well as a concert opener that sets an artistic tone without demanding technical flash from your ensemble.

Skills your students will build

  • Shaping long melodic phrases with dynamic control
  • Balancing harmonic texture without drowning out the primary tune
  • Interpreting expressive markings as emotional signposts rather than mechanical instructions
  • Understanding how vocal music translates to instrumental writing

You May Also Like