Yuletide Rejoicing Cover Image

Yuletide Rejoicing: String Orchestra Conductor Score

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Yuletide Rejoicing Cover Image

Yuletide Rejoicing: String Orchestra Conductor Score

Arranged by William Owens

Grade: 2

Item: 98-ST6388S

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Description
Three popular English and French carols are featured in this beautifully crafted holiday medley. Ding Dong Merrily on High, Ukrainian Bell Carol, and Il Est Né, Le Divin Enfant come together to provide a stimulating musical experience. The timeless carols and engaging orchestration will charm performers and listeners alike!

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444578414
SKU: 98-ST6388S

More about this title

About the Arranger: William Owens

William Owens

William Owens brings three decades of classroom experience to his work as a composer and arranger for young ensembles. A VanderCook College of Music graduate, he has created over 300 titles for concert band, string orchestra, and small ensemble since 1993, earning recognition through numerous commissions, awards, and inclusion on required music lists across North America and internationally.

Owens' approach to writing for developing musicians combines musical substance with practical accessibility, a philosophy that has made his work a cornerstone of young band and orchestra repertoires. His contributions to music education have been recognized by his alma mater as a Distinguished Alumnus and by the Texas Bandmasters Association with their Meritorious Achievement Award. He resides in Fort Worth, Texas.

Why we love this

Owens crafts three beloved carols into a cohesive medley that maintains each tune's melodic character while creating genuine orchestral interest. At Grade 2, the writing strikes a rare balance: the piece challenges young string players without overwhelming them, and the familiar material gives students confidence while the engaging orchestration keeps rehearsals musically rewarding for everyone involved.

What to expect

Warmth and celebration without sentimentality. The three carols glide into one another with clear identity and charming orchestral detail, creating a holiday medley that feels both timeless and fresh. Younger string players will feel the joy of playing recognizable, beloved music while experiencing the satisfaction of contributing to lush, full-sounding orchestral textures.

Who it's for

String orchestra directors seeking festive, concert-ready material for developing musicians. This Grade 2 arrangement works equally well in classroom settings, festival programs, or winter concerts where you need something both accessible and genuinely musical.

How to get the most out of it

  • Shape the phrasing of each carol distinctly so the medley feels like three complete musical ideas rather than a string of tunes. Even at this level, younger players can respond to your direction about where phrases breathe and land.
  • Balance the divisi sections carefully; younger string players often need gentle reminders about maintaining their part's independence when the section splits, especially in moments where melody and countermelody share the stage.
  • Let the Ukrainian Bell Carol's rhythmic energy drive forward naturally. The articulation and rhythmic precision here will set apart a polished performance from a merely adequate one.
  • Consider the overall arc across all three carols. Program them so the piece builds slightly rather than remaining at the same emotional temperature throughout.

How to use it

Schedule this as your holiday concert centerpiece or as a festive opener to a winter program mixing seasonal and non-seasonal repertoire. The Grade 2 accessibility makes it ideal for performance early in the school year if you're introducing new material to developing orchestras, while its charm guarantees it will please audiences regardless of when in the season you perform it.

Skills your students will build

  • Balancing melody and accompaniment across orchestra sections
  • Executing rhythmic precision within a medley structure
  • Reading and maintaining independent parts within divisi textures
  • Sustaining tone across phrase boundaries and musical transitions
  • Responding to conductor direction for phrasing and expression within familiar melodic material

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