Your Beauty Is the Song: SATB divisi Choral Octavo

$2.05 USD

Your Beauty Is the Song: SATB divisi Choral Octavo

Name: Your Beauty Is the Song: SATB divisi Choral Octavo
Brand: Alfred Music
SKU: 00-47548
Price: 2.05 USD
Availability: InStock

Words by Michael Pope, music by Molly Ijames

Item: 00-47548

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A hushed, exposed choral introduction blossoms into a sublime concert work for choirs who seek artistic literature. The men introduce the main melody in stunning four-part harmony, before the women join at the first chorus. With artful divisi writing and many moments of unbridled emotion, this work is sure to become a choral classic.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Your Beauty Is the Song: SATB divisi Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Lawson-Gould

Publisher: Alfred Music

Page Count: 12

UPC: 038081542416

SKU: 00-47548

More about this title

About the Composer: Molly Ijames

Molly Ijames grew up in Flint, Michigan, where her foundation in music began through church piano work during her teenage years. She earned her B.S. in Music Education from Bob Jones University and spent seven years at SoundForth Publishing and BJU in Greenville, South Carolina, where her compositional voice developed and gained traction across multiple publishing catalogs.

Today, Ijames maintains an active career as a commissioned composer and educator, with a catalog exceeding 100 choral anthems, seasonal cantatas, piano collections, and instrumental ensemble works. She regularly leads workshops at music conferences, serves congregations and community choirs as an accompanist, and directs worship planning. She currently resides in Davison, Michigan.

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Why we love this

Ijames crafts music that respects the intelligence of both singers and listeners. The architectural choices here—opening with men's voices in four-part harmony before women enter at the chorus, layering divisi sections with purpose—create natural drama without relying on bombast. Directors appreciate literature that demands artistic maturity while remaining accessible to serious community and school choirs.

What to expect

The piece unfolds with quiet dignity, beginning in near-whisper transparency before gradually building into passages of genuine vocal warmth. There is restraint throughout, even in moments of intensity; the emotional power comes from what is suggested rather than what is proclaimed.

Who it's for

This work suits choirs with solid fundamental skills and a taste for contemporary concert literature. Both high school show choirs seeking artistic credibility and community/college ensembles looking to expand beyond standard repertoire will find it rewarding.

How to get the most out of it

Cultivate clarity in the exposed opening measures by establishing a consistent tone across men's voices before adding any accompaniment; this transparency sets the work's intimate foundation.
Balance the entry of women's voices at the first chorus so it blossoms rather than overwhelms; think of it as a gradual opening rather than a sudden flood.
Shape divisi passages by assigning singers strategically and rehearsing each part line independently, then integrating to ensure harmonic blend is intentional rather than accidental.
Trust the emotional arc Ijames has written; avoid over-interpretation in moments marked for restraint, allowing the music itself to carry the weight.

How to use it

Program this as a centerpiece for a concert devoted to contemporary choral literature or as a contrast to heavier sacred works. Its twelve-page length makes it ideal for mixed-program settings where you need a substantial piece that doesn't demand an entire set.