You Really Got Me Cover Image

You Really Got Me: Concert Band Conductor Score & Parts

$45.00 USD
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You Really Got Me Cover Image

You Really Got Me: Concert Band Conductor Score & Parts

As Performed by The Kinks

Words and music by Ray Davies / arr. Michael Story

Grade: 1 (Very Easy)

Item: 00-CBM05005

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Description
Here's a favorite from the past with a new twist. Every member of your ensemble can be given the opportunity to improvise for one measure. This tune is a great way to meet the National Standards and provide independent creative playing possibilities. You won't be able to stop your band from playing "You Really Got Me." (1:57)

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Additional Details
Series: Pop Beginning Band
Publisher: Alfred Music
Page Count: 178
UPC: 6549790988430
SKU: 00-CBM05005

More about this title

About the Composer: Ray Davies

Ray Davies is a British rock musician and songwriter best known as the lead vocalist and primary creative force behind The Kinks, one of the most influential rock bands of the 1960s. His songwriting blends sharp social observation with memorable melodies and wit, creating music that bridges popular accessibility and artistic substance. Davies' compositions have become staples of rock history and remain compelling subjects for educational arrangements that introduce students to iconic popular music.

Why we love this

Michael Story's arrangement captures the infectious energy of the original while building in structured improvisation opportunities for every band member. At Grade 1, it genuinely plays easy without sacrificing the drive that makes this tune unforgettable. Directors get a piece that energizes rehearsals, meets creative standards, and keeps students engaged from first read-through to final bow.

What to expect

A blast of confident, driving rock energy with a hook that lodges itself in everyone's head. The piece moves with swagger and attitude while staying accessible, making students feel they're playing something genuinely cool rather than just completing an exercise.

Who it's for

Beginning concert bands and younger ensembles ready to engage with rock and pop styles. This works equally well for grades 5-6 through early high school, depending on your students' experience and reading level.

How to get the most out of it

  • Keep the tempo steady and driving throughout. The groove depends on rhythmic confidence from the entire ensemble, especially the rhythm section.
  • Shape each improvisation as a real musical moment, not a throwaway measure. Encourage students to listen to their section mates and respond musically.
  • Balance the melody so it cuts through the accompaniment. The hook is memorable only when it's clearly heard.
  • Use the recorded accompaniment to support students learning their parts and to demonstrate stylistic phrasing in the groove.

How to use it

Program this as a concert opener to energize the audience and set a contemporary tone, or place it midsection to lift energy after a heavier classical work. It's ideal for pops concerts, end-of-year celebrations, or any concert where you want to showcase your ensemble's versatility and fun.

Skills your students will build

  • Improvisation within a fixed harmonic structure
  • Maintaining groove and steady time in a rock idiom
  • Listening to ensemble balance and sectional blend
  • Reading and performing rhythmic patterns in a contemporary style
  • Creative expression within structured limits

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